Review

The Marsh King’s Daughter

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Ben Mendelsohn as the marsh king

Languid is a strange way to go for a psychological thriller, an even stranger way to go for an action thriller. But that’s how director Neil Burger plays it in The Marsh King’s Daughter, a misfire that looks like a bold experiment gone wrong. There are a a number of people in the cast, among them Brooklynn Prince, Gil Birmingham, Caren Pistorius and Garrett Hedlund, but the only two that really matter are Daisy Ridley and Ben Mendelsohn, who play to their strengths – plucky and menacing respectively. Helena is a girl (played at the point by Prince) being brought up brought up in the wilds and taught the ways of the woods … Read more

A Genius, Two Partners and a Dupe

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Major Cabot meets Joe Thanks at gunpoint

Supposedly the last western Sergio Leone worked on, 1975’s A Genius, Two Partners and a Dupe (aka Un genio, due compari, un pollo) has a ramshackle spaghetti western charm and an opening section which strongly recalls the beginning of Once Upon a Time in the West – it’s operatic, dramatic, largely silent and at the end of it there’s a plot reversal designed to shock and delight. It’s this section that was supposedly directed by Leone himself. With spanking wide vistas of Monument Valley and close-ups so vivid you can see sweat droplets forming, that must almost certainly be true. Damiano Damiani did the rest of it, poor guy, and the story here … Read more

Beyond Words

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Jakub Gierszal as Michael

The immigrant experience. Be honest, your heart just sank a little. Possibly because you’ve seen a few movies about it and you imagine you know what you’re about to be served when you hear that Beyond Words (Pomiędzy słowami, in the original Polish) is just such a thing. The tale of a sweet and blameless brown person having a hard time in a mostly white country. But that’s not what Urszula Antoniak’s fourth film is about at all. Instead it asks a rarely asked question – what of the not-so-sweet, not-so-blameless white person in another largely white country? Michael looks like a German but he isn’t one. He’s a Pole who immigrated to … Read more

The Pleasure Girls

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Francesca Annis and Suzanna Leigh

Misrepresenting itself cheerfully, The Pleasure Girls is an early arrival at the Swinging Sixties party that’s only partly what the poptastic theme song and energetic trailer claim it to be. Youth! Girls! Fun! Sex! Yes, but… For a while the story sticks close to Swinging expectations – young, pretty Sally (Francesca Annis) arrives in London from the fusty provinces to become a model, takes up with a David Bailey-esque photographer called Keith (Ian McShane) and together they have a fun time, going to parties and hanging out with all the other beautiful people of mid-Sixties London. So far, so groovy. But writer/director Gerry O’Hara has other stories to tell. For one thing his … Read more

Killers of the Flower Moon

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William Hale in a car and Ernest Burkhart listening to him

It turns out that one of the many uses of Killers of the Flower Moon is as a film for baby-friendly screenings. My daughter-in-law takes her new son to these on Tuesday mornings and recently reported back that the great thing about Martin Scorsese’s latest is that she could take the baby out of the auditorium to be changed or fed and then go back into the screening some time later and not really have missed much. There’s quite a lot of redundancy, in other words. It may be stylish redundancy delivered by a director fully confident of what he’s doing but you could easily cut half an hour from this film and … Read more

The Small Back Room

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Kathleen Byron and David Farrar with heads together

So how do you follow a grand Technicolor extravaganza like The Red Shoes? With The Small Back Room, if you’re Michael Powell and Emeric Pressburger. A war movie set in 1943, even its title is telling us that this isn’t more of the same. And it really isn’t. A mid-grey hodgepodge in which nothing quite locks into place, deliberately, it’s almost experimental in its approach. Does this 1949 movie work? Depends what you mean. The film was called Hour of Glory in the US, which makes sense, kind of, by the time you’ve got to the end of the film but none whatsoever for the majority of it, since it’s a story of … Read more

Bottoms

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Josie and PJ

How do you follow Shiva Baby, a breakthrough comedy of exquisite embarrassment? Bottoms is the answer. Put another way – you don’t follow Shiva Baby, you head off in a different direction. So Emma Seligman, who wrote and directed Shiva Baby, has made a high-school comedy this time around, with Rachel Sennott now as a co-writer and again as her star and Ayo Edebiri drafted in, who you might know from the TV show The Bear. All three were friends together in their New York University days. Sennott and Edebiri play PJ and Josie, a pair of lesbian best friends who also happen to be very unpopular at school. Not because they’re gay … Read more

They Made Me a Fugitive

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Sally Gray as Sally and Trevor Howard as Clem

Exactly why the 1947 crime drama They Made Me a Fugitive was renamed I Became a Criminal for its US release is something of a mystery. One is more passive, the other more active, yup, understood. But the original title is better, punchier and asks a question – who made who a criminal? Whereas the US title is kind of flappy – so you became a criminal, so what? The irony is that this British movie really wants to be an American one. It’s soaked in the stylings, characters and logic of film noir, with mean streets, a femme fatale and a slightly off-centre Mr Big at the centre of it. Though, this … Read more

Saltburn

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Oliver relaxes in black tie at Saltburn

The music in Saltburn tells you a lot of what you need to know about the movie. Starting with Zadok the Priest and ending with Sophie Ellis Bextor singing Murder on the Dancefloor, this is a big, gaudy, fun switchback that surely would have been made in Technicolor if the process was still about. A superheated noirish romp is what you get either way. The plot is simple but it plays with expectations about who exactly is zooming who. Poor little rich boy Felix (Jacob Elordi) befriends poor little poor boy Oliver (Barry Keoghan) at Oxford University, where Felix is a student as if by right and scholarship boy Oliver is there on … Read more

It Always Rains on Sunday

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Rose and escaped criminal Tommy embrace

There aren’t many straight arrows in the British thriller It Always Rains on Sunday. Most of its characters are schemers or chisellers, people on the make or on the take, they’re liars, crooks or worse. When the film debuted in 1947, the people of Bethnal Green, where it’s set, objected strongly to the way it depicted their community. Unconcerned, the British public went to see it in droves. Later, when it got re-released in the early 2000s, having been given a digital wash and brush-up by the British Film Institute, American critics also raved – “a masterpiece of dead-ends and might-have-beens,” said The Village Voice. “Artful and iconoclastic,” said The New Yorker. It … Read more