Popular Features
100 Years of… Warning Shadows
The remarkable Warning Shadows (Schatten: Eine nächtliche Halluzination) is often lumped together with other German movies of the 1920s as expressionist but it’s only tangentially an expressionist movie. It’s too strange to fit in that box, too individualistic. As silent movies go it’s strange too. Once it’s done its introductions – the characters’ names materialise as the actors appear on stage in front of a white screen which will take on significance later – there are no intertitles, not one. The American born but Germany-raised director/writer Arthur Robison does it all with images and his actors, no further explanation necessary. The story is weird as well – like a sexed-up fairy tale – … Read more
Jean Reno: The Bulletproof Star
In a long career that’s seen him starring in films good, bad and spectacularly terrible, the public’s affection for French icon Jean Reno has never wavered. How does he do it? Big guy. Woolly hat. Stubble. Shades. Round shades. Dark round shades. Doesn’t say much. Kills people. Sensitively. Ask a roomful of people to come up with a word or two about Jean Reno and that’s pretty much what you’d get. You might also get French. Likes his dinner. And cool. Very cool. But what about versatile? Best known for playing loners, hitmen, tough guys, individuals who don’t say much because they don’t have to, to most people Reno is that French guy … Read more
Torture Porn, a Beginner’s Guide
Hostel II’s blood, gore and torture is generating column inches faster than a skillsaw can rip through warm flesh, but some people still don’t know what torture porn is. This is for them… What is a splatter movie? Films like Hostel: Part II slot into the category known variously – depending on whether you’re a fan or a critic – as Shock Exploitation, Splatter, Gorno (that’s gore + porno), Torture Porn or, at the comedy end, Splatstick. They’re catagorised by lots of flesh (usually female), lots of innards (generally animal), a gleeful approach to the subject by their directors (almost always male) and an unnatural fixation with domestic power tools (drills, blowtorches etc). … Read more
The Brooding Intensity of Michael Fassbender
Passion, power and emotional ferocity are all hallmarks of aMichael Fassbender performance. But is he just a kitten in real life? Here’s a funny thing. I’m in the audience at the New York Film Festival. On stage director Steve McQueen and actor Michael Fassbender are answering questions about the disturbing, brilliant film that’s just been shown. Shame, McQueen and Fassbender’s follow-up collaboration to the gruelling Hunger has Fassbender delivering a volcanic performance as a sex addict who’s either dialling rent-a-hooker, beating off at work or devouring porn at home. Intense, dark stuff. Someone from the floor asks Fassbender a question about the relationship between the two damaged lead characters, a brother and sister … Read more
100 Years of… Robin Hood
Accept no substitute. This is the original Robin Hood, or Douglas Fairbanks in Robin Hood (as the registered title insists), the one that Errol Flynn’s 1938 version modelled itself on, the one that gets all the Merry Men, Maid Marian, good King Richard and bad King John, Sir Guy of Gisbourne and the Sheriff of Nottingham into forms so recognisable that even at 100 years old, it’s instantly obvious who is who. This wasn’t the first screen outing for the mythical character, in fact there had already been five before (if we include 1919’s My Lady Robin Hood), so Robin Hood as a movie character was at least fairly well known, though of … Read more
The Film that Broke the King of Cool
In 1969, when Steve McQueen suggested a film about the legendary 24 Hours of Le Mans race, everyone thought it couldn’t fail. Everyone was wrong At the end of the 1960s Steve McQueen had it all. Though it was an era of longhaired peaceniks, this shorthaired toughie had become acknowledged as the King of Cool. He was one of the highest paid actors in the world and his string of box office smashes already included three total classics – The Magnificent Seven, The Great Escape and Bullitt. On top of that he’d been Oscar-nominated for The Sand Pebbles and, in 1970, had just made The Reivers, a gentle period drama that proved McQueen … Read more
And God Created Bardot
“I am really a cat transformed into a woman… I purr. I scratch. And sometimes I bite.” Brigitte Bardot – icon, activist, bigot and just possibly the future president of France. By Steve Morrissey In a recent poll of the Sexiest Movies Stars by the film magazine Empire, Brigitte Bardot squeaked in at number 98. Down the list maybe, but she was nestling next to Thandie Newton, one of the undisputed knockouts of our time. And that isn’t bad for a woman who hasn’t made a film in 40 years. Which raises the question: why is she still so fondly remembered? It’s not her ageless good looks. Bardot has always refused the surgeon’s … Read more
The Olsen It’s Cool to Like
Elizabeth Olsen, younger sister of those squeaky Olsen twins, is going into the family business. Is the business ready for her? Is our interviewer? One of the hazards of this journalism game, particularly if you’re a middle aged man, is meeting attractive young female actors in the interview situation. They’re likely to look at you intently, laugh at your feeble stabs at humour, lean towards you confidentially, look interested. And of course they’re in the acting game, so being plausible is a large part of what they do. It’s unbelievably easy to believe these bundles of talent and hotness fancy you. It’s a frequent occurrence to leave the interview completely smitten. Take Elizabeth … Read more
What Is an Aseptic White Room Thriller?
The simple answer to the question “what is an aseptic white room thriller” (AWRT) is Cube, Vincenzo Natali’s cult Canadian sci-fi movie from 1997. More abstractly, it’s a film that takes place on a single set, usually white though not necessarily. Lighting will be clean, clinical, fairly devoid of shadow. Soundtrack music will be scarce or absent. As for sound design, a background hum of air-conditioning is standard. Clanking, the whooshing of doors, “noises off”. It’s the plot that is most definitive. In the AWRT no one really knows what’s going on. Typically the film opens with the characters who don’t know each other waking up somewhere far from home, to find that … Read more
100 Years of… Safety Last!
Here’s an image so iconic that it’s recognised by people who have no idea what film it’s from, or who the geezer hanging off the clock is. Wikipedia calls it one of the most famous images from the silent-film era but it’s surely more than that – this is one of the most famous images from any era, in any medium, and ranks alongside the Mona Lisa or the mask of Tutankhamoun, right? Maybe I’m hyperventilating a bit there, but to change tack slightly, the added brilliance of this remarkable image is that it perfectly sums up in one frame what Safety Last!, Harold Lloyd’s 1923 masterpiece, is all about – hanging on for grim … Read more
I Became a Ukrainian Vodka Baron
Meet Dan Edelstyn. He’s made a film, he’s resurrected a vodka brand and he’s reviving the fortunes of a faraway Ukrainian village Halfway through making a documentary about his grandmother, director Dan Edelstyn realised he was going to have to start all over again. The film he’d been shooting since 2005 – working title From Bolshevism to Belfast – had been a great story. It told of his Jewish grandmother’s sudden exit from Ukraine in the aftermath of the Russian revolution. How privileged, pretty Maroussia Zorokovich had wound up in Belfast, where her husband, Dan’s grandfather, had promptly gone native and become more staunchly Orange than the Paisley family. It was the story of … Read more
100 Years of… The Ten Commandments
Cecil B DeMille’s The Ten Commandments, so good he made it twice. This is the original 1923 version, which came about after DeMille held a public competition asking for suggestions as to what he should make next, maximum shock and awe being the big idea. The winning entry started with the line “You cannot break the Ten Commandments – they will break you,” and that was that as far as De Mille was concerned, a theme and a challenge all in one. He shot some of it in two-strip Technicolor, while the rest of it was tinted, as was common at the time. That’s all gone now; restorations come in a standard black and white. … Read more
