How the heart sinks when “the movies” decide to do a story of love across the racial divide. The result is often melodrama overplaying the unimportant differences (ie skin colour) while underplaying the ones that do matter (ie culture). See Ken Loach’s Ae Fond Kiss, for example. Or, from the other end of the spectrum, the buffoonery of My Big Fat Greek Wedding. Love + Hate manages to avoid these pitfalls. It’s a “nice Asian girl meets racist white boy” story set in a town in Northern England and is Romeo and Juliet on a shoestring.
At the Asian end of the relationship there’s the male/female double standards in an Asian household where the brother can go out but the sister can’t, the fact that the brother is appalled that his sister is seeing a white boy but doesn’t think it’s so awful that he’s been seeing a white girl. Meanwhile, their white counterparts are a scarily racist bunch who see Asians as a threat and applaud their son’s forays into ultraviolence against their brown-skinned neighbours.
So far, so stereotypical. What gives Love + Hate a kick into reality is that the plot has been worked at until it dovetails together with a craftsman’s precision. If it strains credulity that the father of person a is working with person b, the daughter of whom works with the sister of person B, who is the… I lost the plot, to be honest, but the film doesn’t. And it’s a small town, so maybe they would all be vaguely in bed with each other without knowing.
Second plus is the acting, wildly variable but bracing. The cast are mostly non-actors and they’re all largely improvising. Which does make you realise how much work Mike Leigh puts into his similarly improvised dramas. But where Love + Hate does score high is in its Juliet aka Naseema (aka first time actress Samina Awan) who can be a star if she wants to be and has the sort of face that magnetises cameras.
Though it struggles to get to the magic 90 minutes and wanders into melodramatic water towards the end, Love + Hate has heart and passion, does manage to say some interesting things about being a Muslim in a post 9/11 world and paints a picture of cultures whose conflicts can be resolved, but not always in easy-peasy fashion.
© Steve Morrissey 2005