Latest Posts
Past Lives
Past Lives is a woozy but cool romance where much is suggested but little given. The will they/won’t they is endlessly deferred and if not very much happens, what does happen is properly intense. Right to the last second writer/director Celine Song leaves us dangling. Bracket this one with In the Mood for Love, Casablanca and Brief Encounter. Boy meets girl, loses girl, remeets girl and… But the story starts in South Korea, where young schoolkids Hae Sung and Na have a relationship so intense that their parents arrange a mock “date” for them. More as a joke than anything else – Na’s family is about to emigrate to Canada and her mother … Read more
Body and Soul
A lightly fictionalised account of the life of boxer Barney Ross, 1947’s Body and Soul is often described as the best boxing movie ever made. While that’s highly contestable – there’s not much actual boxing in it, compared to The Set-Up or Raging Bull, for instance – it is undoubtedly one of the best movies set in the world of boxing (not quite the same thing). The original intention was to tell Ross’s story as a straight biography, but that was dropped when Ross’s heroin habit became common knowledge. And so John Garfield here plays Charley Davis, a boxer reflecting on his life – a spectacular rise from the mean streets and gifted amateurdom … Read more
Earth Mama
A remarkable feature debut by Savanah Leaf, Earth Mama is the grim social drama that’s had a magic wand waved over it. Not the story, though. That remains grim. Young single mum Gia has lost her children to social services. She is a recovering drug user and is heavily pregnant. She loves her kids and realises she has made a mess of things. So she is trying to do whatever it takes to get her life back on track. But the system seems gamed against young black single women like her. How can she take on more work and earn enough money to satisfy the authorities’ stipulation that she be financially OK if … Read more
Score
Score is another of those porn crossover movies from the “Golden Age of Pornography”, when the marginal moved into the mainstream and, for a while, it looked like attitudes to sex loosened by the cultural changes of the 1960s were about to be consolidated. Of course they did change – there’s more sex on the screen today, and more various sex, than there ever was before – and yet in mainstream movies (look at last year’s Barbie and Oppenheimer, or the big movies from any year) it’s like the Golden Age never really happened. Which makes the likes of Score doubly fascinating. Watching it now it’s obvious throughout that there’s a tension in … Read more
Leto aka Summer
Edited at home in Moscow by a director under house arrest, Leto is a 2018 movie about life in the Soviet era made by a director living in “democratic” Russia. Any read-across is obviously entirely accidental. Leto means Summer in Russian but this is a spring/autumn tale of a USSR rock star called Mike, his pretty partner Natasha and new kid on the block Viktor. It’s the early 1980s, the New Wave is making inroads into the tightly patrolled Soviet music scene and Mike is adapting to the new sounds/era with a nip here, a tuck there – really he’s an old school long-haired rock guy in the mould of Ian Hunter from … Read more
Deep End
Jerzy Skolimowski, en route to America from his native Poland, stopped off in the UK in 1969 to make Deep End, a strange blend of farce with something much darker, a tale of stalking done almost as a sex comedy. It’s the story of an impressionable 15-year-old lad, Mike, who gets a job at a public baths – the sort that has both swimming and bathing, in “slipper baths” – and falls very hard for co-worker Susan, a young woman a few years older than him but way ahead of him in all the things that matter, most obviously sex. Mike is played by the pretty John Moulder-Brown, Susan by Jane Asher at her … Read more
Dungeons & Dragons: Honor Among Thieves
One of the big surprises of late 2023 was Dungeons & Dragons: Honor Among Thieves making it onto so many “Best of…” lists for the year. Even more surprising, it actually deserves to be there (usual caveats apply). It’s a big sword-and-sorcery quest movie, with all the stuff you’d expect – spells, elves, shapeshifters, a medieval setting, capes, subterranean realms, undead creatures and, yes, dungeons and dragons. “Wizards and shit”, as one critic once termed it (I suspect it might have been Nathan Rabin, who also gave us the Manic Pixie Dream Girl as a concept). What you might not expect is the tone. It’s Monty Python and the Holy Grail, the medieval … Read more
Mr Vampire
The first in a successful franchise and cornerstone of an entire genre – jiangshi – 1985’s Mr Vampire is a highly entertaining and madly inventive movie, particularly if you like high-level buffoonery and vampires who hop. It wasn’t the first jiangshi movie. That honour probably goes to Sammo Hung’s Encounters of the Spooky Kind in 1980, the film that shifted Hong Kong vampires decisively away from the Nosferatu-like template and towards a more culturally Chinese vision of the undead. In jiangshi movies the vampires tend to come dressed in traditional changshan clothing. They are restless spirits or dead people whose burial has not been carried out according to the correct rituals. Drinking blood isn’t … Read more
The Holdovers
It’s easy to see The Holdovers as Alexander Payne’s riposte to all the moaning that Martin Scorsese and a few other members of the old guard were doing not so long ago about the predominance of superhero movies and how, you know, they don’t make ’em like they used to etc etc. Payne has gone out and made one like they used to, a film set in 1971 attempting to look like a film from 1971 (right down to the “copyright MCMLXXI” buried in the credits) – grainy, human-focused, often ensemble works like American Graffiti or The Godfather or the entire oeuvre of John Cassavetes. The action is set at a fancy school … Read more
The Opening of Misty Beethoven
The openings are both figurative and literal in The Opening of Misty Beethoven, the pornified Pygmalion that’s a key movie from the so-called Golden Age of Porn. The real Pygmalion, you’ll recall (and My Fair Lady, the musical version) is about two la-di-dah gentlemen betting on whether they can get a Cockney flower girl to pass as a duchess. Here Henry Higgins, Colonel Pickering and Eliza Dolittle are replaced by Dr Seymour Love (Jamie Gillis), his occasional lover Geraldine Rich (Jacqueline Bedaunt) and Misty Beethoven (Constance Money), a low-rent sex worker whom Dr Love picks up in a grindhouse cinema masturbating a guy dressed as Napoleon. In a plot following Pygmalion’s major beats, … Read more
Suzume
Makoto Shinkai is one of the “other guys” of Japanese animation – he’s not Hayao Miyazaki, in other words – and if it does nothing else, his movie Suzume demonstrates the vast amount of influence the director of Howl’s Moving Castle, Kiki’s Delivery Service, My Neighbour Totoro and Spirited Away still wields in that country, even though he officially retired ten years ago (only to resurface unexpectedly this year with The Boy and the Heron). Featuring a detail-rich story with a strong fantastical element and a resourceful young female protagonist who has somehow become separated from her parents, Suzume has many of the trappings of a Miyazaki movie. There’s even the outsize interest … Read more
Baby Face
A key “pre-Code” movie, Baby Face is one of a handful of 1930s movies said to have accelerated Hollywood’s movie studios into the era of self-censorship – the government was threatening to step in if they didn’t act. It was a key movie for Barbara Stanwyck too, and helped her cement a reputation for playing tough, driven women. Here she’s a young unfortunate fighting her way up in the world by putting it about – that’s the sort of stuff the Code set out to stop – using and abusing men as she goes. Starting at the front door of a bank building in New York, she works her way literally and figuratively … Read more
