Review - The Prestige


Michael Caine, Scarlett Johansson and Hugh Jackman in The Prestige

Michael Caine, Scarlett Johansson and Hugh Jackman in The Prestige

 

 

After Insomnia and Batman Begins, big Hollywood numbers taken on to show studio willing – or so it seemed – Christopher Nolan is back to being master of his own destiny, writing with his brother Jonathan and also producing this lavish smoke and mirrors cat-and-mouser. Clearly an attempt to “do another Memento”, it’s about a pair of Victorian magicians in a “this town ain’t big enough for the both of us” London, who once were bosom buddies but fell out after a trick went wrong and the wife of one of them died. And since that day they have gone on to different sorts of glory, but as deadly rivals, each trying to out-trick the other.

The title is explained early on, by Michael Caine, playing the Ingenieur, the backstage guy who devises and builds the magical apparatus for Robert Angier (Hugh Jackman), the Prestige being the ta-daa bit of the trick when the lady is revealed as not being sawn in half at all. This has followed the Pledge (the lady is a lady) and the Turn (she is two halves of a lady), and, tricksy buggers that they are, Jonathan and Christopher Nolan have a prestige of their own up their sleeves. But if you haven’t worked it out by about halfway through the film, a long, long, long way before the Nolans pull the rabbit out of the hat, then my name’s not Harry Houdini.

My gosh there are a lot of stars in this film. As well as Jackman as the more successful of the two magicians, there’s Christian Bale as his rival Alfred Borden, a more spit and sawdust character than the refined Angier, though with one devastating trick, The Transported Man, in his repertoire that baffles audiences and confounds Angier. There’s also Piper Perabo as the doomed wife, Scarlett Johansson, underused as the new lovely assistant. There’s Michael Caine, of course, and David Bowie as Nikola Tesla – proving again that he simply can’t and shouldn’t act, though Bowie’s is just one of many terrible performances that populate this weary trudge of a film. In fact Caine is the only one to hold the attention, in a bit part so well played that you yearn for the film to be, in fact, about him.

That’s also because Caine gets to do the interesting stuff – explain how the tricks work. The backstage secrets. In front of the curtain, magic is about misdirection and wit, two missing ingredients in this film. Instead there’s plot, lots and lots of it. And baffling digression – for instance, Jackman’s visit to the scientist Tesla, considered to be a modern magician thanks to his myriad revolutionary patents and experiments with AC electricity. The Nolans also bang the narrative chronologically back and forth Memento-style, which muddies things even more, the suspicion creeping in about halfway through that what something this laden with “developments” should be is a TV mini-series. Not enough prestige, perhaps.

Most of all this murky-looking film lacks lightness of touch, legerdemain, as the French say. Magic, in other words.

 

The Prestige – Watch it/buy it at Amazon

 

 

© Steve Morrissey 2006

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imdb poster The Prestige
The Prestige
Rating: 8.5
Genres: Drama | Mystery | Thriller
Director: Christopher Nolan
Writers: Jonathan Nolan, Christopher Nolan
Stars: Christian Bale, Hugh Jackman, Scarlett Johansson
Trivia: Two stage magicians engage in competitive one-upmanship in an attempt to create the ultimate stage illusion.
Storyline In the end of the Nineteenth Century, in London, Robert Angier, his beloved wife Julia McCullough and Alfred Borden are friends and assistants of a magician. When Julia accidentally dies during a performance, Robert blames Alfred for her death and they become enemies. Both become famous and rival magicians, sabotaging the performance of the other on the stage. When Alfred performs a successful trick, Robert becomes obsessed trying to disclose the secret of his competitor with tragic consequences. Written by Claudio Carvalho, Rio de Janeiro, Brazil
Plot Keywords: magician, rivalry, secret, deceit, obsession
Box Office Budget: $40,000,000 (estimated)
Opening Weekend: $1,109,729 (Australia) (17 November 2006)
Gross: $53,082,743 (USA) (2 February 2007)