Popular Reviews
The Avengers: Series 3, Episode 25 – Esprit De Corp
Esprit De Corps is a mad and twisty Avengers episode, one of many dealing with the subject of indoctrination, the focus here being an army unit that’s going to launch a coup d’etat and put the “rightful” heir back on the throne. Mad enough, but there’s a fruitloop turn to come which I won’t spoil. Instead let me tell you that a 22-year-old John Thaw plays a key role, as an army captain (Thaw generally did play older than he was – at 33 he was seen-it-all cop Jack Regan in The Sweeney; he was only 45 when he played the retirement-dodging star of Inspector Morse). Thaw’s Captain Trench is being hoodwinked by … Read more
House
In 1977, inspired by the success of Jaws, Japan’s Toho film corporation decided that it too wanted a slice of that action and so cast about for something similar. House is what they got. A film about a big marauding thing which consumes people indiscriminately, it ticks that one box at least. Commercials director Nobuhiko Ôbayashi wrote the original treatment, and hoped Toho would pick it up. Instead Toho sat on it for two years while its in-house directors all made polite excuses and backed away. Which is how Ôbayashi himself ended up directing it, in his debut feature. Instead of a shark it’s a house that does the consuming, and instead of … Read more
Night at the Crossroads aka La Nuit du Carrefour
There are three competing theses for what went wrong with Jean Renoir’s Night at the Crossroads (aka La Nuit du Carrefour), a 1932 whodunit of the old school but with some very strange jumps, bumps, gaps, leaps of logic and filmic equivalents of handbrake turns. Number one is that Renoir was depressed while making it and so was often drunk. He simply made a mess of it. Another is that he ran out of money and so never really finished it. The third is that somewhere in the process a reel of film got lost, the one that would have gone a long way towards tying everything together. Whatever the reason, the film … Read more
Danger Man aka Secret Agent
Is Danger Man one TV series or two? It has two entries on the IMDb. There’s this one, for the original series, which ran 1960-1962, and this one for its second coming, 1964-1967, when the show in some places (the USA for example) went by the name Secret Agent and had a snappier theme tune (High Wire, played on a muscular harpsichord). In its native UK it was always Danger Man. There is an argument for treating them as different entitities but in essence they are the same thing, united by the presence of Patrick McGoohan as John Drake, dry spy extraordinaire – no guns, no girls, no gadgets, initially at least. Along … Read more
Lovers Rock
Lovers Rock is the second in the sequence of Steve McQueen’s Small Axe series of films for the BBC, stories from the frontline of the West Indian immigrant experience in the UK. Unlike its predecessor, Mangrove, which featured Letitia Wright, and Red, White and Blue, its successor, which starred John Boyega, Lovers Rock is not speckled with big names and would be bent out of shape if it were. It’s a “day in the life” kind of affair, bookended by Martha (Amarah-Jae St Aubyn) climbing out of her bedroom window on a Saturday evening and eventually winding up back in her bed just in time for her mother to bang on her door … Read more
Black Bear
Aubrey Plaza fans, here’s your film. In Black Bear she plays one, two, three or even four roles, depending on how you’re counting, as an actor/director trying to hash out a screenplay out in a cabin in the woods. From the first instant that Allison (Plaza) arrives at this B&B “for creatives”, as owners Blair (Sarah Gadon) and Gabe (Christopher Abbott) put it, it’s obvious there’s going to be trouble. She, a self-declared “difficult” actress who went into directing because no on would employ her any more, immediately starts that bantering, joshing to and fro with host Gabe which indicates that she fancies him. As they walk up from the main gate, he … Read more
Lifeforce
The cheap and cheerful Cannon Group were ready for the big time in the mid 1980s. Having made a decent amount of money out of various barrelscrapers – Death Wish sequels, Chuck Norris actioners and assorted Ninja movies – they decided to move upmarket. Lifeforce was the result, a big-budget (for them) sci-fi movie and the first of a three-picture deal between director Tobe Hooper (still hot from Poltergeist) and the “Go-Go boys”, as Cannon owners, cousins Menahem Golan and Yoram Globus, were known. The film was a total flop on its release and got hacked about a bit in an attempt to make it more sellable. That didn’t work either. However, over … Read more
Phenomena
The lesbian boarding school classic Mädchen in Uniform generally seems to be somewhere in the mix in Dario Argento films, and so it is with 1985’s Phenomena, another instance of a naive teenager, Jennifer (Jennifer Connelly) in this case, arriving at a girls school, this time in Switzerland, where she will be monstered by staff, pupils and other forces. Jennifer gets a frosty reception from the stiff-faced headmistress (Dalila Di Lazzaro), a woman with a gravedigger’s haircut, and by the other girls in the school, apart from her nice roomie, Sofia (Federica Mastroianni, niece of Marcello). Out in the big wide world there’s a killer on the loose, one who dispatches young women … Read more
Guardians of the Galaxy Vol. 3
Guardians of the Galaxy Vol. 3 wraps up the grungey offshoot of the Marvel Cinematic Universe with grace and style, as well as big bangs and some good jokes. There’s a touch of cinematic pathos in there too, as if GOTG3 is also to some extent saying goodbye to the big superhero movie as a cultural meme. The MCU, after all, is running out of puff. It’s the film that nearly didn’t get made in its current form. Writer/director James Gunn, very much the presiding mind in all the GOTG movies, got fired early on in the production process – some old Tweets came back to bite him – but ended up being … Read more
Secret Beyond the Door
Largely bonkers, 1947’s Secret Beyond the Door is a great film if what you need is a laugh, but a joke as what it’s meant to be – a twisted psychological film noir. It’s the last of five collaborations between Joan Bennett and director Fritz Lang, and it’s produced by Bennett’s husband, Walter Wanger, who saw this film as a way of reheating the Rebecca pot, Hitchcock’s Oscar-winning first Hollywood movie of seven years earlier. It is the Rebecca story all over again, in fact – woman marries rich guy as his second wife and finds she can’t live up to the memory of the first – but with an addition of the … Read more
Point Blank
Midway between Philip Marlowe and John Wick, Walker, the hero of 1967’s Point Blank is a stylish hero in a film so stylish and influential that its original impact can now only be guessed at, so relentlessly has it been plundered in the ensuing decades. Soderbergh is a fan, as is Tarantino, and so, of course, is Chad Stahelski (of John Wick fame). Mel Gibson and director Brian Helgeland remade it in 1999 as Payback (go for 2006’s Payback: Straight Up, the dirtier director’s cut, if you’re heading that way) but it’s Boorman’s framing and his use of locations, space and sound that have made Point Blank such a moodboard/sourcebook, as well as … Read more
Accused aka Anklaget
Finally being given a wider release to capitalise on Sofie Gråbøl’s profile, courtesy of Scandi-crime series The Killing, this Danish drama about a man accused of incest is a brooding drama with an unusually tight focus and a real knack for cranking up the tension. Having mentioned Gråbøl, I must now immediately jump in and point out that she is not the star. And good though she is, the focus of this intense drama is Troels Lyby, who is great as you watch him. In retrospect you realise just how great. I am using words like “brooding”, “intense”, “tight” and “focus” because that is the entire point of the film. From start to … Read more
