Popular Reviews
The War Below
War movies cost money, but the team behind The War Below have somehow managed to produce one on the sort of budget that Christopher Nolan’s Dunkirk or Peter Jackson’s 1917 probably spent on catering. And they’ve made a decent fist of it. The fascinating and true story it tells is of the British miners recruited during the First World War to break the stalemate at the battle of Messines. Their task was to burrowing out through no-man’s-land and under German lines, lay explosives and blow the enemy position to pieces. Up against the obvious challenges such as unknown terrain and impossible deadlines, the five recruits, all mates of long-standing, are also battling the … Read more
The Avengers: Series 6, Episode 15 – The Rotters
What do you get if you draft in a comedy writer to pen an episode of The Avengers? The answer is The Rotters, by Dave Freeman, a prolific writer for TV comedy from the likes of Benny Hill, Terry Scott, Roy Hudd and Tommy Cooper. The shape of the episode however – opening shocker, call Steed and sidekick, say hello to various eccentrics as a particularly obvious clue is followed, meet mad mastermind before the big fight finale – that’s pure Brian Clemens. Things get off to a by-the-book start. A man is being chased somewhere in the Department of Forestry Research. Seeking refuge, he locks the door of his office, only for the door … Read more
Why Don’t You Just Die!
The trailer does not lie. Why Don’t You Just Die! (Papa, sdokhni in the original Russian) is a camp melodrama awash with blood, gruesomeness, novel ways of hurting people and comic-book cruelty. It’s as if all the horrible things that ever happened to Wile E Coyote were bundled together and then brought to the screen by a Quentin Tarantino or Robert Rodriguez in one of their Grindhouse jaunts. The opening shot: a young man with a fantastically broken nose (Aleksandr Kuznetsov, and that’s his real nose) is waiting outside an apartment with a hammer behind his back. The door after much knocking opens. It is a bullet-headed man (Vitaliy Khaev). Andrey, the young … Read more
The Avengers: Series 6, Episode 25 – Who Was That Man I Saw You With?
There’s something a bit dead in the water about Who Was That Man I Saw You With?, a late-era Avengers episode with a lot going for it – but no spark. Jeremy Burnham wrote it, and atones for the messiness of Fog (the previous week’s episode) with a tightly constructed and well plotted story. There’s a bit of futurology in here too. Britain, it seems, has got itself a Star Wars defence system long before Ronald Reagan mooted the idea of a defensive umbrella that could blast incoming enemy missiles out of the sky. The system itself – codename Field Marshal – is magnificent, of course, but there are fears that a lone-wolf … Read more
The Avengers: Series 6, Episode 21 – Love All
The phrase “pale, stale and male” was still waiting to be coined when this episode was first broadcast on a dark February night in 1969. And you didn’t hear the term “misogyny” on TV much either, particularly not on a Saturday evening entertainment show. But that’s where we are in The Avengers‘ episode Love All – no, no tennis is involved. It’s a classically formatted 50 minutes – the setup, the briefing, the visits to various eccentrics and the dénouement, with a couple of bizarre murders thrown in along the way just to keep things moving. The setup plonks us down in a briefing room full of white, ageing gents, all being told … Read more
Broker
On a filthy rainy South Korea night a young mother abandons her baby, leaving it in the “baby box” – designated for just this thing – attached to a church. The next day, having changed her mind, she heads back to the church, only to find that a pair of “baby brokers” got to the box before the church authorities. They have stolen her baby and intend to sell it on the adoption black market. Two cops saw all this. Clearly onto the brokers, they were watching from a stakeout vehicle as Moon So-young (Lee Ji-eun) left her baby and as Dong-soo (Gang Dong-won) filched it. As they watch and snack on instant noodles, gummi … Read more
Neon Bull
Iremar (Juliano Cazarré) is a bull handler who travels from one Brazilian rodeo to another. It’s a life lived on the road, with a small gang of fellow nomads. They pitch up, do their job, then move on. Like a little family they eat together, joke, squabble. They have each others’ backs. Iremar is the guy who puts chalk on the bulls’ tails, so the guys on horseback out in the arena can better grab a hold (these rodeos seem to consist of grabbing the tail and flipping the bull onto its back). By day he applies chalk, opens the gate into the arena to let the bulls run, then cleans up afterwards, … Read more
Jellyfish Eyes
Jellyfish Eyes starts out looking like a cute ET story and winds up being more a rampage-and-destrcution, Godzilla kind of thing. In between it gets most of the big things right. It’s Japanese, from 2013, and is the only feature film so far directed by Takashi Murakami, who is more a TV producer, though he has directed a number of shorts, among them promos for Billy Eilish and Kanye West, both obviously fans of Murakami’s style of animation. Jellyfish Eyes is not an animation. Not entirely, anyway. It’s a live-action story of a kid with no daddy (how often do kids stories feature absent dads?) who moves to a new school/town/life with his … Read more
Peter von Kant
François Ozon’s Peter von Kant is both a remake and a restoration of Rainer Werner Fassbinder’s The Bitter Tears of Petra von Kant. A remake because it takes exactly the same story and retells it in pretty much the same way, except with the genders flipped. A restoration because it peels away a layer of obfuscation added by Fassbinder to the original, to reveal where he was really coming from. In the 1972 original, Petra (Margit Carstensen) was a dreadfully self-centred designer waited on hand and foot by an entirely silent servant (Irm Hermann). One day Petra is introduced to a pretty young thing called Karin (Hanna Schygulla) and instantly totally loses her … Read more
The Love of Jeanne Ney
The Love of Jeanne Ney is one of those torrid love stories told against a backdrop of roiling conflict. Or that’s what it looks like at the outset. But by the end it’s become more like a showcase for everything the great Austrian director Georg Wilhelm Pabst could do – all the genres in all the styles. By this point in his career, Pabst had given Greta Garbo her first starring role two years before in 1925’s Joyless Street (aka Die freudlose Gasse). Two years later he would turn Louise Brooks into a global icon with Pandora’s Box. If Jeanne Ney was a bit of bait designed to lure Hollywood into hiring him, … Read more
Murder by Death
In Murder by Death Neil Simon proves he’s not always the surefire comedy hotshot, Peter Sellers reminds us that his non-European comedy characters are stinkers and Truman Capote demonstrates, in his only proper acting role, that he’d have made a pretty good Bond villain. It’s a spoof of a country house whodunit, written by Simon, directed by Robert Moore and with a cast that’s pure gold and the saving of this movie demonstrating that if you’re going to kick the legs out from under a genre, you’d better have done your homework. The conceit that Simon has come up with is to collect all the world’s most famous detectives – names slightly changed … Read more
Barbie
And so Barbie is born, as a live-action presence, I mean. She’s been in utero one way or another for nearly 40 years, going all the way back to the 1980s and the Cannon Group’s plans to put her on the big screen (shudder). Between there and here there have been many possible outcomes – a possible Amy Schumer Barbie, a possible screenplay by Diablo Cody, Wonder Woman director Patty Jenkins in charge. All of them sound interesting, but in the event it turns out to be Margot Robbie as Barbie and Greta Gerwig directing, with Noah Baumbach in the backroom as co-writer with Gerwig. The stories about a movie’s gestation are often ones … Read more
