See This - The Thin Red Line


Nick Nolte in The Thin Red Line

Nick Nolte in The Thin Red Line

 

 

In the mid-1990s it was more or less universally accepted that Terrence Malick had given up making films. He’d made Badlands in 1973 and Days of Heaven in 1978, both of them the sort of films that have critics coining new superlatives, but that was that. Then, 20 years after Days of Heaven, he came back as if from nowhere with his version of The Thin Red Line – there’d already been an adaptation of James Jones’s novel in 1964. And like Badlands and Days of Heaven it took a familiar genre – the war film in this case – and gave it a typically reserved Malickian treatment.

Malick’s WWII actioner is not exactly an exercise in turning war-film conventions on their head, though it certainly does do that. Instead of concentrating on one Rambo-style character while everyone and everything around is being blown into the next world, Malick shoots the film as if he were a visitor from that next world. Drifting from soldier to soldier, his camera glides through the landscape and makes as if to enter the soldiers’ souls. The soundtrack is spookily calm, sometimes silent, particularly in the big action scenes. Like all good war films, The Thin Red Line is not about moments of great heroism or dick-measuring hardware face-offs (though it does that, too). It’s about the equation that all wars turn on: how many men is it worth losing in order to win? And what is the personal price of victory?

The film is also, as all Malick films seem to be at some level, about humanity’s fall from grace – paradise lost. Audiences who first saw it were perhaps not ready for such a meditative war film. They probably weren’t ready for Malick’s casting decisions either. There are lots of big names in the credits to The Thin Red line – Sean Penn, John Travolta, Woody Harrelson, John Cusack, Adrien Brody – though the focus of the drama is on lesser known names such as Jim Caviezel and Ben Chaplin. Though special mention in despatches must go to Nick Nolte, brilliant as the rabid lieutenant-colonel hungry for war glory, and one of the few carry-overs from the more traditional war epic.

Was Malick’s return welcomed with open arms? The answer is mixed. Critical reaction ranged from “cliched, self-indulgent” (Salon.com), and “heartfelt but not profound” (Roger Ebert) to “a genuinely epic cine-poem” (Time Out London). Whichever way you look at it his film made an interesting counterblast to Saving Private Ryan, which for six months had been the war movie everyone was talking about. And it broke the logjam – Malick, one of the great stylists of cinema, was back.

© Steve Morrissey 2013

 

The Thin Red Line – at Amazon

 

 

 

 

imdb poster The Thin Red Line
The Thin Red Line (1998)
Run time: 170 min
Rating: 7.6
Genres: Drama | War
Director: Terrence Malick
Stars: Nick Nolte, Jim Caviezel, Sean Penn
Trivia: Director Terrence Malick’s adaptation of James Jones’ autobiographical 1962 novel, focusing on the conflict at Guadalcanal during the second World War.
Storyline In World War II, the outcome of the battle of Guadalcanal will strongly influence the Japanese advance into the Pacific theater. A group of young soldiers is brought in as a relief for the battle-weary Marines. The exhausting fight for a strategically-positioned airfield that allows control over a 1000-mile radius puts the men of the Army rifle company C-for-Charlie through hell. The horrors of war form the soldiers into a tight-knit group; their emotions develop into bonds of love and even family. The reasons for this war get further away as the world for the men gets smaller and smaller until their fighting is for mere survival and the life of the other men with them. Written by Julian Reischl <julianreischl@mac.com>
Plot Keywords: guadalcanal, soldier, japanese, private, survival
Box Office Budget: $52,000,000 (estimated)
Opening Weekend: £83,657 (UK) (26 February 1999)
Gross: $36,385,763 (USA) (7 May 1999)