Alain Resnais

Je t’aime, je t’aime

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Claude inside the time machine

Part modernist experiment, part sci-fi, part exploration of memory, Alain Resnais’s weird 1968 drama Je t’aime, je t’aime (aka I Love You, I Love You) is the place to go if the prospect of watching his more celebrated first two movies, the formally and formidably “difficult” Hiroshima Mon Amour and Last Year at Marienbad, give you the collywobbles. It’s clear even before the film gets going that something odd is going on. The massive titles in bright red and the haunting, ethereal choir singing over the opening credits eventually give way to opening scenes in which Resnais’s framing is also doing odd things – too close, not close enough, it’s all quite unsettling. … Read more

You Ain’t Seen Nothin’ Yet

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Mathieu Amalric in You Ain't Seen Nothin' Yet

A movie for every day of the year – a good one 9 April Oldest recording of a voice, 1860 On this day in 1860, Edouard-Léon Scott de Martinville made what is the oldest recording of a human voice still in existence. The recording was made on a machine called a phonautograph which Scott had invented and patented in 1857. It worked by emulating the human ear – sound travelled down a funnel, hit a membrane and was transferred to a stylus (pig bristle) which transmitted the vibrations onto smoke blackened paper or glass, the two-dimensional results being used to study amplitude and waveforms. No one at the time the recording was made … Read more