Oppenheimer

Cillian Murphy as Oppenheimer

Oppenheimer is Christopher Nolan’s epic ode to Robert J Oppenheimer, the “father of the bomb” who masterminded the development of the first atomic bomb in the 1940s and later went sour on the US government’s use of nuclear power just before the US government went sour on him. Oppenheimer’s is a fascinating story to tell. Emblematic of the change in the perception of nuclear power from scientific miracle to bringer of armageddon, he fell foul of the McCarthyite anti-Communist atmosphere after the Second World War. The film delivers the proof that Nolan is now as at home making movies about historical events (alongside Dunkirk) as he is in the realm of the high … Read more

Tenet

Elizabeth Debicki and John David Washington

After pausing for Dunkirk, a (for him) human-scale drama, Christopher Nolan is back on Inception/Interstellar territory with Tenet, a grandiose exercise in hi-tech bogglement that doesn’t shortchange the fans. It’s spectacular like Operation Desert Storm was. Designed to shock and awe, it’s a technological marvel that would almost rather there were no human involvement at all. Can’t we just get drones to do the acting? Actually, drones have done a lot of the heavy lifting when it comes to the plot, because rather than come up with anything too new, Nolan has taken a whole load of James Bond bits and pieces and then given a quick wipe over with a massive spend … Read more

The Prestige

Michael Caine, Scarlett Johansson and Hugh Jackman in The Prestige

After Insomnia and Batman Begins, big Hollywood numbers taken on to show studio willing – or so it seemed – Christopher Nolan is back to being master of his own destiny, writing with his brother Jonathan and also producing this lavish smoke and mirrors cat-and-mouser. Clearly an attempt to “do another Memento”, it’s about a pair of Victorian magicians in a “this town ain’t big enough for the both of us” London, who once were bosom buddies but fell out after a trick went wrong and the wife of one of them died. And since that day they have gone on to different sorts of glory, but as deadly rivals, each trying to out-trick … Read more

Following

Jeremy Theobald in Christopher Nolan's debut, Following

Can you honestly tell from Following, that its first-time director Christopher Nolan is only two years away from making Memento, the film that put him on Hollywood producers’ speed-dials? Shot on weekends and holidays guerrilla-style around London for about $6,000, it is a real “you saw it here first” effort and the acting is strongly redolent of the great days of British film – it’s rank. But when a story is this strong it barely matters. It’s simple too. We follow, in low-budget monochrome, a young, luckless and broke writer (Jeremy Theobald) who thinks it would be fun, “creative” in an artschool way, maybe, to “follow” people and see where it leads him. … Read more

Batman: The Dark Knight

dark knight 2jpg

Not having enjoyed the first Nolan/Bale Batman film (yes, he was traumatised by bats. I get it!) I wasn’t looking forward to the second. But, having been told how great it was, how awesome Heath Ledger was, how dark it all was, I was prepared to put prejudice to one side and settle back to watch it with an open mind. And I hated it. But no one else seems to feel this way. Why? My own lack of soul to one side, it’s possibly something to do with the death of Ledger, a good actor who generally did more than was necessary in whatever role he took on, was happy to subsume … Read more