Our Man in Havana

Hawthorne looks on as Wormold demonstrates a vacuum cleaner

A quick look at the list of ingredients and the people involved would probably be enough to convince most people that 1959’s Our Man in Havana was going to be a cracker – but it isn’t. It’s a cake full of good things that isn’t, in itself, a good cake. Pity. The promising components include Graham Greene’s screenplay, the presence of Carol Reed as director – these two had already given the world The Third Man and The Fallen Idol – Alec Guinness in a lead role, plus excellent support players including Noël Coward, Ralph Richardson, Burl Ives and Maureen O’Hara, with location shooting in Cuba just post the Castro revolution and cinematography … Read more

The Fallen Idol

Phillipe and Baines

Of the three films that writer Graham Greene and director Carol Reed made together, The Fallen Idol is the one that languishes at the back of the stage while The Third Man and Our Man in Havana soak up the applause. That’s probably fair, all things considered, but that doesn’t mean this 1948 movie should be written off. It’s a highly intricate puzzle of interlocking parts with a plot about people trying to do the right thing, then failing, then trying to do the wrong thing, and then failing at that too. But the main driver is a young lad, Phillipe, the chatty and precocious diplomat’s son whose parents are so often absent … Read more

This Gun for Hire

Veronica Lake and Alan Ladd

The gun for hire in This Gun for Hire is Alan Ladd’s, here in the role that made him a star, his blond hair dyed black the better to play a character called Philip Raven, a hitman who’ll do in anyone anytime as long as the money is right. It’s also the film that first teamed up Ladd with Veronica Lake – three more features and a number of appearances in morale-boosting wartime musical revues were to follow – one of the great pairings of the film noir era. It’s an adaptation of Graham Greene’s redemptive novel A Gun for Sale, and tells the story about a hitman (Ladd) who kills a man … Read more

The Third Man

carolreed thethirdman 11

So much is right about the Third Man that could have gone so wrong. Producer David O. Selznick wanted it shot entirely on studio sets. Director Carol Reed disagreed and won, which is why it’s shot on the dank streets of post-war Vienna, a city as overrun with black marketeers as the film suggests. Selznick also wanted Noel Coward to play Harry Lime, the role eventually taken by Orson Welles. Perhaps Coward would have made a good “Third Man”, a shit trading penicillin to the highest bidder and damn the children who die as a consequence. But if Coward had taken the role, there wouldn’t have been the “cuckoo clock” speech, written by … Read more