Twist

Raff Law, Michael Caine and Rita Ora

Updating Charles Dickens’s Oliver Twist, as Twist does, is a bold move. Usually the lure of the dressing-up box and the chance to lay on the foggy London atmospherics prove irresistible. Film-makers tend to stick with its original Victorian setting. Looking through the many, many adaptations, Twisted stands out. It’s a 1996 update set in in New York’s gay subculture. But for the most part Oliver Twist tends to be set in world of street urchins, top hats, horse-drawn carriages and much dropping of aitches. Watching the opening moments of Twist, a question arises: when in the early production process did someone suggest bringing Oliver Twist into the Britpop era? And was this … Read more

Oliver Twist

Oliver is menaced by Bill Sykes in Oliver Twist

The sort of film that most of us have slept through a few times. No, not the one with “Consider Yourself” and all those other fabulous Lionel Bart songs. Instead, it’s the David Lean version of Dickens’s story of a nice young lad all at sea in bad old London, completely song-free and freighted with baggage – Alec Guinness’s Semitic schnozz for starters, his wheedling manner for another – as thiefmaster Fagin. But beneath Fagin’s hard shell and stereotyped Jewish image (based on the Cruickshank drawings, that’s Lean’s and Guinness’s defence) there beats a heart of gold, while around him operates his gang of reasonably well-cared-for ne’er-do-well pickpockets. It’s Robert Newton’s Bill Sykes who’s … Read more