Parallel Mothers
“Transgressive” is a word bandied about a fair bit when it comes to Pedro Almodóvar, but Parellel Mothers (Madres Paralelas) again shows that for him it’s a two-way street. His films are different, unusual, unconventional – yes. And yet in the relationships they portray not that far from the everyday, not that far from what we’re used to, unfrightening. At least since his international breakthrough with 1987’s Women on the Verge of a Nervous Breakdown, it’s been one of his main concerns to show how like the rest of us his exotic hothouse creatures actually are. They love, they laugh, they cry, they’re human. Which is particularly the case with this ripe melodrama … Read more
