The Last Photograph

Danny Huston on the River Thames

For a good third of The Last Photograph, Danny Huston’s first directorial effort for nearly 20 years, there’s a distinct impression that something’s not right. The acting is wonky, some of the artistic choices are confusing (why has he put a soft filter on the camera at just this moment?), the narrative is playing out to a staccato rhythm which seems designed to confuse rather than enlighten. It’s all a bit chaotic. Huston also plays the lead character, a grouchy guy who owns a bookshop concession inside Chelsea Farmers Market, London, whose dealings with his fellow humans all seem to end the same way: the middle finger, either at him or from him. … Read more

Archive

J3 is revealed

Here’s Archive, the debut by writer/director Gavin Rothery, who deserved better than for his film to slip between the cracks, which it did a bit thanks to the Covid restrictions. Instead of getting the big-screen release that was on the cards, it slunk out onto streaming months after it was due to be seen. Rothery’s CV is full of art department gigs. He worked with Duncan Jones on Moon and Archive at first looks like it might be operating in the same territory. Lone guy marooned somewhere, taking orders from a stern voice back at HQ, possibly going mad in the process. Except George (Theo James) isn’t in an off-world location, he’s in … Read more

Amanda

David and Amanda

Amanda uses the Islamist terror attacks in Paris in 2015 as a springboard for a quiet drama about loss. Since the focus is resolutely on the human rather than the political, it might be a bit too quiet for some, but co-writer/director Mikhaël Hers appears to be deliberately trying to make this a case of less heat more light. Hers takes time building up his characters. Amanda (Isaure Multrier) is the shy, sweet daughter of bright, kind teacher and lone mother Sandrine (Ophélia Kolb). Sandrine’s brother, David, is a young man working two jobs and always running a bit late. Busy busy. Too busy, in fact, to take his responsibilities as an uncle … Read more

Godard Mon Amour aka Redoubtable

Louis Garrel and Stacy Martin

Le Redoutable aka Redoubtable aka Godard Mon Amour is another exercise in period spoofing for Michel Hazanavicius, the French film-maker who made his name with pastiches – notably winning an Oscar for The Artist, the faux silent movie having followed two 007 spoofs, the OSS 117 movies. In all three a fictional character was held up for mild ridicule while Hazanavicius and his team sweated the small stuff, getting thousands of details just so in an attempt to conjure a world back into existence. As with the OSS films the period this time is again the 1960s but this time the central figure isn’t fictional, it’s director Jean-Luc Godard, the hippest man in … Read more

Nymphomaniac: Vol. I

Stacy Martin in Nymphomaniac Vol 1

A movie for every day of the year – a good one 2 April Serge Gainsbourg born, 1928 On this day in 1928 Lucien Ginsburg was born, to refugees from the Russian revolution who had fled in 1917. Later, he would change his name from Ginsburg to Gainsbourg to reflect his admiration for the British landscape painter Gainsborough, and from Lucien to Serge to honour his Russian heritage. Originally intending to be a painter, Gainsbourg wound up supporting himself by playing piano in bars and so entered the world of music more by accident than design. However, once he realised he had something of a knack for chansons in the Jacques Brel style, … Read more