Day: April 3, 2013

Duel in the Sun

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Original foyer poster

Martin Scorsese reckons Duel in the Sun was the first film he ever saw and one of the reasons he became a director. It was made in the mid 1940s when David O Selznick was still basking in the glow of Gone with the Wind, in terms of bums on seats the biggest film ever made. The legendary producer was also feeling pretty pleased with himself at having tempted Alfred Hitchcock to Hollywood, Rebecca and Spellbound being the result of that bit of handiwork. Selznick was riding high. The stocky fortysomething was also riding a new starlet, 25-year-old Jennifer Jones. In a case of extreme hubris – those whom the gods wish to … Read more

The Gift

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Redneck Keanu Reeves in The Gift

Director Sam Raimi is an expert in genre-twisting. Back when he was making The Evil Dead he so overloaded his gore epic that it eventually became funny. With The Gift he takes on a genre even more arcane: the British whodunit. Then he does weird shit with it. First he transports the whole shebang to the Deep South to remove all traces of afternoon tea or warm beer. Then he gives us Cate Blanchett as a clairvoyant detective who can’t quite make out the identity of the murderer – well, it wouldn’t be much of film if she could, would it? And then, as a masterstroke, he takes a raft of famous faces … Read more

Les Diaboliques

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Simone Signoret and Vera Clouzot in Les Diaboliques

If you’re working yourself towards film-buffery, you really need to have seen something by master of suspense Henri-Georges Clouzot – “the French Hitchcock” he is often called, when Jacques Deray or Claude Chabrol aren’t using the sobriquet. You may already have seen the masterful The Wages of Fear, Clouzot’s 1953 tale of gelignite being driven across the South American jungle. It’s well worth adding Les Diaboliques, 1954’s tale of the murder most horrid – drugged, drowned – of a brutish husband by a fragile wife (Vera Clouzot) and his scheming mistress (Simone Signoret, none better). Job done, except the body keeps disappearing. Less a whodunit, more a wheresitgone, Les Diaboliques also strongly prefigures … Read more