Reno 911!: Miami

Robert Ben Garant and Thomas Lennon

A feature length version of the Comedy Central TV show. And, obeying a law that stretches back at least to the dawn of TV comedy, the format goes on holiday. To Miami, as the title suggests, where Reno’s precinct of variously useless cops suddenly find themselves the only police in town with a drug lord to contain called Ethan the Drug Lord (played by Paul Rudd) and day-to-day policing duties to carry out. Obeying another law, there’s the odd guest cameo – Danny DeVito in this case (his Jersey Films outfit are bankrolling the movie so it makes sense). But who cares about guests or the plot – no one involved seems to – … Read more

The Transformers: The Movie

Unicron – as voiced by Orson Welles – in The Transformers: The Movie

As a new multi-squillion-dollar Transformers movie directed by Michael (Pearl Harbor) Bay comes down the pipe, someone obviously thought a quick cash-in was in order. So here’s the old Transformers from 1986. On the upside: the voice talent is of the “well I never” variety. In what other film would you get Robert Stack, Eric Idle, Leonard Nimoy and Orson Welles all working together? On the other hand, just what the hell is going on? The plot is pretty much unfathomable – Welles described it as being about “a big toy who attacks a bunch of smaller toys”. The title music helpfully tells us the movie is about “Robots in disguise”, fighting Stunticons, Aerialbots … Read more

Midnight Movies: From the Margin to the Mainstream

Dressed to kill: Divine in Pink Flamingos

Or how six films screened in graveyard slots between 1970 and 1977 changed the way movies are watched and made. The six are: El Topo, Alejandro Jodorowsky’s mad freakish spaghetti western, the Man with No Name drops acid. Night of the Living Dead, George Romero’s splattersome zombie motherlode which even now Romero is rubbing his hands about. Pink Flamingos – John Waters broke through with this excursion into camp sleaze, and how happy Waters is with the idea that almost single-handedly he dragged Hollywood along with him into the world of bad taste. The Harder They Come, the reggae film by Perry Henzell that filled a need created by Bob Marley for Jamaican … Read more

Meet the Robinsons

Meet Wilbur and Lewis from Meet the Robinsons

Disney remind us of their legacy as animation innovators with this busy busy busy story about a young inventor genius and orphan (big aah) called Lewis who is zipped into the future by his new pal Wilbur Robinson. There Wilbur hopes Lewis will help him defeat a snarling, moustachioed villain called Bowler Hat Guy (who’s not a thousand light years removed from Dick Dastardly) and Lewis hopes Wilbur will help him recover his latest whizzy gadget, the Memory Scanner, from Bowler Hat Guy’s felonious grasp. This will enable Lewis to probe his own mind, in a desperate attempt to remember who his mother was (even bigger aah). On the way Lewis meets Wilbur’s … Read more

Typhoon

Mean, moody and probably rather cold – Lee Jung-Jae in Typhoon

A Korean thriller about a modern-day pirate planning a nuclear attack on the motherland. It’s the biggest production in Korean movie history, apparently, and has swishy looks, bombastic tone and frequent dips into gooey sentimentality. In other words Typhoon has half an eye on Hollywood, though its story is firmly set around the 38th parallel – two blameless kids, one grows up good (in the freedom-loving south), the other bad (damn those Commies). Getting himself caught between two stools, director Kwak Kyung-Taek isn’t sure whether to concentrate on the back story (the kids) or the front story (a dastardly plan to let loose balloons filled with nuclear waste). But his message is as … Read more

Distant Voices, Still Lives

Freda Dowie in Distant Voices, Still Lives

A re-release from one of the most distinctive cineastes in British film. Terence Davies’s 1988 maundering autobiographical film (“It all happened… I had to tone down the violence of my dad”, Davies told The Guardian) is set in the Liverpool of his youth and is more an impressionistic montage of vibrant tableaux vivants than a drama with a traditional structure. It’s a two part affair, the first half concentrating on the brutish, violent dad (Pete Postlethwaite), long suffering, sad-eyed mum (Freda Dowie) and their three kids – as wartime austerity starts to crack and the good times of the late 1950s start to make their presence felt, which is the theme of the second … Read more

Close to Home

Smadar Sayar and Neama Shendar in Close to Home

An unusual “buddy movie” focusing on two young women conscripted into the Israeli army, where they spend their time either checking bags for bombs or asking anyone suspicious – Arabs, let’s be honest – for their ID. Shot on handheld cameras on the streets of Jerusalem, Close to Home is in most other respects firmly within the tradition of the buddy movie. In other words the girls don’t initially get on – fiery Smadar (Smadar Sayar) would rather get her hair done and ogle boys than bother decent people who are just trying to get to work. The quieter Mirit (Neama Shendar) on the other hand is a stickler for protocol. Vardit Bilu and … Read more

C’était un Rendezvous

Paris, dawn, August, in the long hot summer of 1976

The story goes that after wrapping on a film starring Catherine Deneuve, having come in under budget and with a day of shooting time left, as he often managed, director Claude Lelouch decided to do something mad and foolish, make a guerrilla short. All you need to make a movie is a gun and a girl, is how Lelouch’s New Wave colleague Jean-Luc Godard had put it. Lelouch set out to show you didn’t need even that, just a fast car and a camera strapped on the front. And that’s what C’était un Rendezvous is, a single shot from a slow-slung camera, as the car it’s attached to (a Ferrari?) hurtles through the … Read more

13 May 2013-05-13

Keanu the interviewer in Side by Side

Out in the UK this week Side by Side (Axiom, cert 15, DVD) A documentary about the digital revolution in movie making that runs through the whole process – first the workings of the old photochemical technology which was king for more than 100 years and then on to how digital has changed everything, from cameras and acting, to editing and effects, the print and the projector. His Matrix experience apart, Keanu Reeves initially seems an unlikely guide to the whole thing. But he’s not just a voiceover, he’s the interviewer and producer of the documentary and it’s probably thanks to his clout that it gets access to pretty much anyone it wants. … Read more

Deadfall

Eric Bana and Olivia Wilde in Deadfall

Remember Eric Bana in Chopper, frightening everyone to death as Australia’s most gruesomely violent criminal, Mark “Chopper” Read? There are echoes of Bana the Bad in Deadfall, in which he plays one half of a psycho sibling pair who are heading, unwittingly as far as they and everyone else concerned can tell, for a showdown rendezvous at a Thanksgiving dinner. Deadfall isn’t half as good as Chopper, though it does give Bana a chance to show us he can still do ugly. If only writer Zach Dean and director Stefan Ruzowitzky had worked out some way of telling the other four stories they’re trying to tell with economy, leaving Bana with more screen … Read more