The Avengers: Series 4, Episode 6 – The Master Minds

Emma Peel with bow and arrow

The Master Minds was episode six in series four in transmission terms, but only the second episode that Diana Rigg and Patrick Macnee had made together. Hence the not-quite-thereness of their relationship – notice throughout how rarely Rigg actually looks at Steed. By series five the two of them were locked in almost permanent ocular combat. It’s relevant because this is a classic Rigg-era Avengers episode – it’s all about boffins and mind control – trailing clouds of the Cathy Gale era, when relations between Steed and his sidekick were much more workmanlike, for all Steed’s suggestive banter. The plot kicks into life when  government minister Sir Clive Todd (Laurence Hardy) is caught … Read more

The Avengers: Series 4, Episode 5 – Castle De’ath

John Steed with a sword. Assailant with a gun

Three Bond movies had been released and a fourth was just around the corner, when Castle De’ath was broadcast on an autumnal Saturday night in 1965. It’s a mini-me version of Bond, with Scotland standing in for myriad exotic locations, a mini-sub standing in for all the 007 tech and Steed and Peel doing their best to quip for England as the plot takes them north of the border. Things kick off with a pre-Steadycam handheld tour of the castle – every heartbeat of the cameraman registering – which winds up in a dungeon where a man is being tortured on the rack. He’s an agent and soon dead, and the fact that … Read more

The Avengers: Series 4, Episode 4 – Death at Bargain Prices

Mrs Peel at gunpoint

Charles Crichton directed one of the best Ealing comedies, 1951’s Lavender Hill Mob, and the highest grossing British comedy of the 1980s, 1988’s A Fish Called Wanda – both crime capers – so is just the man for an episode of The Avengers. And the first shot of the first of five episodes he’d direct announces that “a director” is in the house – it’s a looming, upward-looking shot of a building at dusk, in near-silhouette, ominous as you like. But Crichton wasn’t lauded for his visual style – though he had plenty. What got him the plaudits was his economy (famously praised by Wanda writer/star John Cleese), his ability to say in … Read more