Category: See This

Lorraine Stanley and Georgia Groome in London to Brighton

London to Brighton

London, 3.07am, in a horrible manky toilet, Joanne, a very young girl (Georgia Groome) is having the lipstick wiped from her teary face by Kelly, an older woman (Lorraine Stanley), whose bulldog features have taken a battering and who’s wearing a skirt so short she can only be a prostitute.

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Jackie Chan in Police Story

Police Story

      There are plenty of people who think of Jackie Chan as a brilliant martial artist who has squandered his gifts on silly comedy. Even they, the Chan purists, acknowledge the brilliance of Police Story, Chan’s best film. And now that we’re in 2013 and Chan is nudging

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Snow White sings to the bluebird in Snow White and the Seven Dwarfs

Snow White and the Seven Dwarfs

    David Hand? Look at the credits and you’ll see the name down as the director, one among quite a few, depending on where you’re looking. Such is the grip of the “director as auteur” notion on modern thinking that everyone – from the IMDB down – feels obliged to

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Ciarán Hinds and Amanda Root in Persuasion

Persuasion

    Before popping up seemingly out of nowhere when he directed Notting Hill, Roger Michell had had a successful career as a theatre director, at the groundbreaking Royal Court Theatre in London with Samuel Beckett and John Osborne (where he also met Danny Boyle), then on to the Royal

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Madeleine Carroll handcuffed to Robert Donat in The 39 Steps

The 39 Steps

    There are several filmed versions of John Buchan’s novel. The other two notables have Kenneth More and Robert Powell in the lead. But this one, in spite of its antiquity, is the best. It stars debonair, pencil-moustached Robert Donat as the innocent man forced into going on the

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Richard Burton in The Spy Who Came in from the Cold

The Spy Who Came In from the Cold

    Based on the breakthrough novel by former spy John Le Carré, shot in black and white to suggest that espionage is unglamorous, dirty work and starring a hollowed out Richard Burton, The Spy Who Came In from the Cold is as far from James Bond as it’s possible

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Max Adrian as Frederick Delius in Song of Summer

Song of Summer: Frederick Delius

  Any follower of British arts programmes on TV, from the South Bank Show backwards, will be aware of the bleating of Ken Russell and his ilk that no one really makes ’em like they did in the Sixties, when clever chaps freshly down from Oxbridge would be sent out

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Anita O'Day in Jazz on a Summer's Day

Jazz On A Summer’s Day

    Back when cats wore hats, stills photographer Bert Stern, fresh from his famous shoot with Marilyn Monroe in the buff, went off to the 1958 Newport Jazz Festival and made a film about Louis Armstrong, Thelonious Monk, George Shearing, Dinah Washington, Anita O’Day, Mahalia Jackson, Jack Teagarden, Gerry

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Max Schreck as Nosferatu

Nosferatu

Murnau’s 1922 silent expressionist classic is one of defining moments in movie-making. It borrowed its story wholesale from Bram Stoker’s Dracula, gave it the lightest of resprays and hoped no one would notice the theft. Bram Stoker’s widow noticed and sued for breach of copyright, won the case and had

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Laurence Fishburne and Keanu Reeves, The Matrix

The Matrix

Who has not seen The Matrix? It’s the Gone with the Wind and Star Wars of our era, a phantasmagoria in black leather open to multiple readings that was already being described as mind-bending and complex before it even debuted. From this distance it all seems as clear as water

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