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Build Your Own Bond

Tired of waiting for the next 007 movie to open? Here’s a solution that even Q would find fiendishly ingenious His name might be Bond, James Bond but at the beginning of 2011 the studio responsible for the most successful franchise in spy movie history found itself in dire straits. It was broke, dead broke. It looked like the mighty roar of the MGM lion was about to be silenced forever. In the event last minute refinancing bailed the studio out and, to the joy of fans everywhere, Bond 23 returned from an enforced layover and went back into production. But for diehards who’d been expecting Daniel Craig back in 2011, the news … Read more
Makeda and Pharaoh

100 Years of… The Loves of Pharaoh

Why this film from 1922 is called The Loves of Pharaoh in English is a bit of a mystery. It’s Das Weib des Pharao – Pharaoh’s Woman (or Wife) – in German and in every other language it was translated into (per the IMDb), the lady in question has been faithfully rendered as wife/woman/love singular. In fact the film was also much messed about with when it first debuted. In Russia Pharaoh was more of a tyrant, in the US there was more of a happy ending, whereas in its native Germany audiences got to see more or less what the director Ernst Lubitsch and writers Norbert Falk and Hanns Kräly had wanted … Read more
Lady Marian and Robin Hood

100 Years of… Robin Hood

Accept no substitute. This is the original Robin Hood, or Douglas Fairbanks in Robin Hood (as the registered title insists), the one that Errol Flynn’s 1938 version modelled itself on, the one that gets all the Merry Men, Maid Marian, good King Richard and bad King John, Sir Guy of Gisbourne and the Sheriff of Nottingham into forms so recognisable that even at 100 years old, it’s instantly obvious who is who. This wasn’t the first screen outing for the mythical character, in fact there had already been five before (if we include 1919’s My Lady Robin Hood), so Robin Hood as a movie character was at least fairly well known, though of … Read more
Alice Terry and Rudolph Valentino

100 Years of… The Four Horsemen of the Apocalypse

The Four Horsemen of the Apocalypse was the first of five films Rudolph Valentino made in 1921 and though it’s the film that made him a star he’s not the star of the film, which is an ensemble piece. The star is the film itself, an epic so complete and fine-tuned that it’s a reference point today whenever producers and directors are aiming to tell tender human stories against a background of raging conflict. It’s a big film too – two and a half hours long, which isn’t gargantuan compared to, say, Birth of a Nation (three and a quarter hours) or Greed (originally four and a half hours) – but surprises people who … Read more
Julian Richings in Cube

What Is an Aseptic White Room Thriller?

The simple answer to the question “what is an aseptic white room thriller” (AWRT) is Cube, Vincenzo Natali’s cult Canadian sci-fi movie from 1997. More abstractly, it’s a film that takes place on a single set, usually white though not necessarily. Lighting will be clean, clinical, fairly devoid of shadow. Soundtrack music will be scarce or absent. As for sound design, a background hum of air-conditioning is standard. Clanking, the whooshing of doors, “noises off”. It’s the plot that is most definitive. In the AWRT no one really knows what’s going on. Typically the film opens with the characters who don’t know each other waking up somewhere far from home, to find that … Read more
The musketeers and D'Artagnan join swords

100 Years of… The Three Musketeers

You’d have thought that the silent The Three Musketeers from 1921 would be the first film adaptation of Alexandre Dumas’s novel but it wasn’t. Depending on how you count these things it was around the seventh or eighth film version since 1903. It wasn’t even the first of 1921. That honour went to a French serial shot in 14 episodes, Les Trois Mousketaires. But this one, directed by Fred Niblo and starring Douglas Fairbanks Sr, eclipses all the forerunners and most of the successors, largely thanks to the presence of Fairbanks, cusping 40 when he made this but leaping around and larger than life from the moment he hits the screen. This happens … Read more
Lotus Flower finds the half drowned sailor

100 Years of… The Toll of the Sea

There are two good ancillary reasons for watching The Toll of the Sea, on top of the fact that it’s a touching, almost heartbreaking drama of a sort it’s almost impossible to imagine being made today. The first is that it stars Anna May Wong, Hollywood’s first Chinese American star, here only 17 years old in a role that puts her to the test in terms of subtle emoting, and finds her sailing through unscathed. The second is that it’s the oldest existing Technicolor movie left on the planet. There was an older one, The Gulf Between, made in 1917, but that went up in flames and is now permanently lost. It was … Read more
The Count and Princess Vera

100 Years of… Foolish Wives

When Foolish Wives debuted in 1922, its writer/director/star Erich von Stroheim was at the peak of his popularity, having exploited anti-German sentiment during the First World War by playing a despicable Hun doing despicable things in a series of films. “The man you love to hate,” was his moniker, one gained in 1918 in the film The Heart of Humanity, where he plays a ruthless German officer who throws a baby out of the window so he can better get on with raping a Red Cross nurse. That’ll do it. Foolish Wives works the same seam, though, the war over and the Russian revolution grabbing more headlines, von Stroheim is now playing a … Read more
Mike Meyers and Jessica Alba in 2010's The Love Guru

The Razzies – Winners Who Showed Up

One supposedly represents the best of the best and the other the worst of the worst. In theory the Oscars and the Razzies are polar opposites, yet they have something in common. Each loves a pile-on. Every year as awards season comes around again, a fog seems to descend on the members of the voting academies, groupthink sets in and some perfectly OK but largely unremarkable movies start mysteriously migrating – up to become Academy Award contenders, or down to where the Razzies await. If a bona fide celebrity is involved, the movement can be quite dramatic. Was Driving Miss Daisy really the best picture of 1990? Against, say, Do the Right Thing? Did … Read more
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Roll Out the Barrel: Pubs Never Looked So Good

A collection of documentary shorts on the British pub paints a warm, comforting picture of one of the country’s most cherished institutions. But is it a true one? “There is nothing which has yet been contrived by man,” intones a voice theatrically, “by which so much happiness is produced as by a good tavern or inn.” The quote is from Samuel Johnson and it kicks off The Story of English Inns, the first of 20 collected documentary shorts from the archive released in June 2012 by the British Film Institute. Alas, anyone who’s ever been to a British pub will tell you that this adage conveys only half the truth. For every charming hostelry … Read more
Rudolph Valentino as the Sheikh

100 Years of… The Sheikh

Rudolph Valentino had two big films in 1921. The Four Horsemen of the Apocalypse, by far the biggest grossing film of the year, was the one that made him a star. But The Sheikh was even more important. It made Valentino so famous that we still talk of him today, long after the auras of fellow stars like Norma Talmadge and Wallace Reid have faded. The Four Horsemen gave Valentino the “Latin lover” tag but The Sheikh made it stick, something that Valentino – striving to have a varied career – struggled against before bowing to the inevitable in 1926 with Son of the Sheikh. In an intense but short time at the … Read more
Esmeralda is carried to safety by Quasimodo

100 Years of… The Hunchback of Notre Dame

Mention The Hunchback of Notre Dame to someone and the response is often a shuffling crouch, accompanied by a moaning “the bells… the bells”, in vague homage to Charles Laughton. Here’s where Laughton got it all from, 1923’s Hunchback, starring Lon Chaney as Quasimodo, the mostly deaf, half-blind unfortunate who falls for a gypsy dancer called Esmeralda, as does nearly every other man in the film. What’s notable watching this version for the first time is how Esmeralda-centric it is. This is her story, not Quasimodo’s. The title of Victor Hugo’s original novel was Notre-Dame de Paris (Our Lady of Paris), and it’s tempting to imagine the title nods towards Esmeralda – she … Read more

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