A movie for every day of the year – a good one
Idris Elba born, 1972
On this day in 1972, Eve Elba gave birth to Idrissa Akuna Elba, who shortened his name to Idris after starting school in London’s Canning Town. A big kid at school, Idris had the status that went with it, was good at sport, interested in music, keen on acting, where he found he had the self-confidence to “disappear into the character”. At 14 he was a pirate DJ. At 16 he was a theatre stagehand and also did night shifts at Ford’s Dagenham factory. In his early 20s the acting took off and he went from playing the rogue in Crimewatch reconstructions, to picking up regular bit roles in long-running British TV series such as The Bill and The Ruth Rendell Mysteries before moving to New York. In 2002 he got cast in The Wire, as Stringer Bell, and his life changed. Since then he has played Luther in the BBC series – TV’s angriest cop – and has worked in film with directors such as Tyler Perry, Danny Boyle, Guillermo Del Toro and Ridley Scott. He is about to play Nelson Mandela in Long Walk to Freedom. With Elba, you suspect his best work is still to come.
RocknRolla (2008, dir: Guy Ritchie)
It’s not big, but it is clever, Guy Ritchie’s film about London gangsters and Russian mobsters getting in a lather about a painting is an exercise in straight-faced hard-boiled laughs. Not unlike his other films in fact. But this time out Ritchie has the confidence to more or less dispense with trivial detail such as believable plot or character. Rocknrolla is the sort of film where you know the cut of a man’s jib from the style of his syrup (that’s wig, in rhyming slang), or his dress sense, where the aforementioned painting is introduced as the most transparent of Macguffins, and has just enough presence to compress the many characters together into something resembling a story. This is an exercise in preposterous characterisation, with Idris Elba and fellow Brit contingent Tom Wilkinson, Gerard Butler, Thandie Newton and Tom Hardy doing the majority of the work. Meanwhile the US contingent – the likes of Jeremy Piven and Ludacris – are stapled in, the most obvious of “one morning’s work, honest” contributions which Ritchie, again, does nothing to hide. Can you make a coherent film like this? No, but you can make one that’s a lot of fun.
- Mark Strong’s ridiculous hair
- Another great criminal mastermind role for Tom Wilkinson
- Thandie Newton playing an accountant
- Ritchie’s best cockney, mockney, whatever film since… possibly ever
© Steve Morrissey 2013