Popular Reviews
Caught
Revenge would be a better title but Caught it is, director Max Ophüls’s broadside against Howard Hughes, who’d fired him from Vendetta only days into shooting a film that was meant to launch the career of Faith Domergue, a Hughes “discovery” (booty division). Vendetta ended up with five directors’ names attached to it so clearly the launch needed more grease on the slipway than anticipated. Hughes’s treatment of women, it turns out, is what Caught is all about, a reworking of the Libbie Block novel Wild Calendar also incorporating the stories Ophüls and screenwriter Arthur Laurents had heard about the infamously philandering studio boss. Naive and nice young thing Leonora (Barbara Bel Geddes) … Read more
Shirley
Shirley is your madwoman’s breakfast, a seething mass of dramatic tropes held together by a distinctly 1940s Freudian thriller atmosphere and populated by characters from a hall of mirrors. Elisabeth Moss plays real-life novelist Shirley Jackson (even Moss is cagey about how close her Shirley is to the original), the febrile, blunt-speaking, possibly clairvoyant novelist living on campus with her bumptious professor husband Stanley, played at full dervish by the ever-superb Michael Stuhlbarg. Into their lives come young lecturer Fred (Logan Lerman in another vanilla male role) and his wide-eyed newly pregnant wife Rose (Odessa Young, the actual focus of the film), just for a day or so while the new arrivals get … Read more
Paul Is Dead
Paul Is Dead. Depending on your age, most likely, the title of Henk Handloegten’s debut feature might suggest an entire landscape, maybe tickle a vague memory somewhere or pull up a complete blank. The Paul in question is Paul McCartney and the phrase refers to the bizarre conspiracy theory suggesting that at some point in the Beatles’ career, McCartney died, forcing the Beatles to get in a lookalike McCartney in order to keep the band going. The fact that the doppelganger also had the original McCartney’s ability to knock out million-selling tunes is not something the conspiracy theorists ever explain, but then, in the way of these things, who needs facts when you’ve … Read more
Stillwater
There are two stories being told in Stillwater, one well, the other other not so well. Unfortunately for all concerned, it’s the one that’s told not so well that the film insists it’s all about, from its title all the way through to its concluding scenes. At 2 hours 19 minutes you’d have thought that there was time to give both stories a fair screw, but clearly something has happened between greenlighting and debut. That “something” might be lawyers, given what it’s about. Because it’s a loose adaptation of the Amanda Knox story. This was the messy and unsatisfyingly concluded case of the young American woman found guilty of killing a fellow exchange … Read more
Good Luck to You, Leo Grande
Good Luck to You, Leo Grande is a film about a middle aged woman hiring a young stud for impersonal hotel sex. Things get talky rather than saucy (that stuff is going on off-screen). So much so that you can almost imagine watching it with your mother. Your Mother May Vary. It’s a stage piece, really, a two-hander that feels expressly written for that clever, dithery, diffident, endlessly self-unpromoting British character Emma Thompson has been playing for what seems like aeons. Nanny McPhee gets her bits out. Nancy, not Nanny, since Thompson plays Nancy Stokes (possibly not her real name), a recently widowed ex-teacher whose blameless life of service to her husband, children … Read more
While the City Sleeps
While the City Sleeps is one of the great noir titles. Which is not the same as saying it’s one of the great noir movies. In fact it’s barely noir at all. Though it does start off looking like it might be. A lurid murder before the opening credits, then titles that come blaring at us in gigantic white letters, while Herschel Burke Gilbert’s title music of clarion brass and shrill strings suggests a great noirish feast is about to be served up. The director’s name – Fritz Lang – also promises the same. He’d done Scarlet Street and The Big Heat, after all, noir lodestones. There’s been a murder and the murderer … Read more
The Lair of the White Worm
The Lair of the White Worm is a good place to start if you’ve ever wondered what happened to Ken Russell. Once upon a time he was a good film-maker who made fascinating, elegant dramas. Then the success of Women in Love turned his head and from that point on, almost without exception, his subject matter – rock music (Tommy), classical music (Lisztomania), DH Lawrence (The Rainbow) – mostly came second to Ken’s “vision”, a frotter’s orgy of corny erotica. The Boy Friend somehow escaped the Russell treatment, and in Altered States Russell was held in check by a studio mightier than Ken’s own ego. But give Russell his head, and look out. … Read more
Act of Violence
A man arrives in a small, neat town in California. It’s a bright sunny day but he’s brought a sliver of dark, noirish New York with him on the Greyhound bus. And also a gun. As he limps across the street away from the bus station, a band plays, veterans march and flags flutter. It’s Memorial Day. Joe is in town to kill an old Army buddy. Like those implacable, remorseless creatures from It Follows, Joe relentlessly pursues his victim. To the nice house in the suburbs that his quarry, war veteran Frank, helped build. Out to the lake where Frank has gone fishing. Back to his house after Frank realises he’s being … Read more
The Avengers: Series 6, Episode 33 – Bizarre
So we come to the end of The Avengers journey with Bizarre, 33rd episode of the final season. The show started in January 1961 and was literally about an Avenger, Ian Hendry playing David Keel, a doctor going on a restorative-justice rampage after his wife was killed by drug smugglers. And it ends here in May 1969, having morphed from a crime-based show shot as live in black and white on big TV cameras into something a lot more spytastic, shot on film with all the gloss you could muster on a TV budget. The early (surviving) episodes are almost unwatchable now, the terrible telecine transfers making them even lower in visual quality … Read more
Robust
Robust (Robuste in the original French) looks like it’s been made explicitly with Gérard Depardieu in mind. Writer/director Constance Meyer insists she that she wrote it for both Depardieu and co-star Déborah Lukumuena. But while Lukumuena does nothing but cover herself in glory, it’s Depardieu who’s the irreplaceable element. Because? Because it’s about an aged actor who has got a bit beyond himself. Georges (Depardieu) is unpredictable, wilful, prone to not turning up on set, prone also to making pronouncements about the state of the world – robust ones, to use the sort of adjective deployed by ageing red-faced males locked in endless combat with the pronoun-sensitive, offence-avoiding wokerati. It’s tempting, more than … Read more
Cuba Libre
1996’s Cuba Libre is only Christian Petzold’s second movie, after 1995’s debut, Pilots (Pilotinnen), but already he’s got the formula and the team all in place. It’s a chilly thriller, in other words, with a man who’s losing his head over a woman, a woman who’s so otherworldly she might in fact be more metaphysical than real, and an overarching theme of escape, of existing in liminal space, of people perpetually on the way to somewhere else. Petzold insists that all movies are in a sense about transit, or transition, but he’s got a very particular way of doing it. It’s the sense of yearning he imparts. It suffuses everything, to the point … Read more
Licorice Pizza
Paul Thomas Anderson’s quest to make the perfect 1970s movie continues with Licorice Pizza, a living, breathing simulacrum of the sort of film that stalked the landscape before George Lucas came along with changed/ruined (according to taste) everything with Star Wars. Ironically, another Lucas film, American Graffiti, might have served as a moodboard for his attempt to outdo 2014’s Inherent Vice – itself an attempt to outdo 1999’s Magnolia – along with Robert Altman’s rambling, discursive Nashville, though the storyline deep down is actually A Star Is Born – guy on the way down meets gal on the way up – with a scrappy side order of What’s Up, Doc. The guy is … Read more
