Popular Reviews
Down in the Valley
Ed Norton continues on his quest to become the new Sean Penn with this very unusual and initially brilliant examination of the cowboy myth and its survival into the modern world. This represents itself in a Bonnie and Clyde love story between Harlan, an itinerant cowpuncher cum gas station attendant (Norton) who immediately quits his job when young and foxy Tobe (Evan Rachel Wood) drives in for gas, and heads off to the beach with her. What a free spirit. What we don’t at first know, but soon becomes apparent, is that our Stetson-wearing South Dakotan is a nutjob. But until that is revealed we are treated to the sort of drama that Robert Redford … Read more
Nude Area
Films about falling in love have been done so often that the way the characters in them declare their love has become incredibly important. How does “I love you. You complete me” compare to “Do I love you? My God, if your love were a grain of sand, mine would be a universe of beaches…” or “I’m just a girl standing in front of a boy asking him to love her”? Top marks for spotting Jerry Maguire, The Princess Bride and Notting Hill. Love stories depend for success on a lot of things – but emotional plausibility and the romantic stars aligning need good writing and chemistry to take things over the line. … Read more
Rogue Agent
As I write James Bond’s producers have a “we’re hiring” sign over Daniel Craig’s vacant seat. Is Rogue Agent James Norton’s audition? If it is, it’s a funny sort of one, though Norton is fairly remarkable as a man on a mission – to deceive almost everyone he comes into contact with. The thing to bear in mind through the length of this familiar and yet bizarre film is that it’s pretty much all true. As the film opens, it’s 1993, the IRA bombing campaign on Britain is at full spate and Norton’s Robert Freegard is working undercover as a barman, recruiting students at an agricultural college to infiltrate what he assures them … Read more
Juliet of the Spirits
1965’s Juliet of the Spirits (Giulietta degli spiriti) was Federico Fellini’s first film in colour and he goes at it like a child whose Christmases have all come at once. Up comes a screen of opening credits so vividly blue that it’s shocking, followed by an opening scene where the quiet and mousey Juliet (played by Fellini’s own wife Giulietta Masina) is assailed on all sides by people, chatter, action. The quiet romantic evening she’d had planned with her husband Giorgio (Mario Pisu) has been upended. He’s brought home a gaggle of people, party animals who want to have fun. Fellini wants to have fun too, and he wants to fill the screen … Read more
To Be or Not to Be
Farcical Nazis. Nearly 30 years before Mel Brooks had a go in The Producers, here’s To Be or Not to Be, in which Ernst Lubitsch lays down the template. The comparisons are not endless, but in one respect 1942’s To Be or Not to Be does mimic The Producers – it’s set in the world of the theatre, itself a good target for comedy, which is where most of the laughs come from for the first chunk of the film. We’re in Poland, just before the outbreak of the Second World War, where a theatrical troupe is putting on nightly shows of Hamlet while rehearsing their next show, an anti-Nazi piece called Gestapo. … Read more
The Avengers: Series 2, Episode 13 – Death Dispatch
John Steed and Cathy Gale’s party trick, a duet working variations on the theme of the invincibility of the British upper class, really comes into its own in Death Dispatch, the 13th broadcast episode of series two. We’re off in the sort of colonial landscape described by Graham Greene – of swarthy thugs, Freudian dictators and minor functionaries of the Empire, a place where life is cheap and death is pitiless, as we see in the opening shots of this story where a low-level envoy newly in from Washington is quickly despatched in his hotel room in Jamaica. Cut to Steed, ogling women from his Caribbean sun lounger and meeting his control, One-Ten … Read more
The Spider’s Web: Britain’s Second Empire
An urgent, informative film asking all the right questions – or how the rich people stole all the money Here in Brexit Britain we find ourselves in a peculiar situation. In spite of having done pretty well out of the European Union, what with various rebates, opt-outs and special deals, fifth richest country in the world and all that, the country suddenly rebelled, and stormed out of the arrangement in a strop, angry about something that no one can quite articulate – it might be the straightness of bananas or immigrants or democratic accountability, or something else entirely. Meanwhile, the political left largely appear to have lost their connection to their working class … Read more
Splendid Isolation
At first, Splendid Isolation, Urszula Atoniak’s latest film, looks like it’s going to be a retread of 2009’s Nothing Personal, her first one. Nothing Personal might even have been called Splendid Isolation and its MO was the same – a couple of people, a female focus, a remote location, self-sufficiency, personal histories mired in mystery, with flat grey skies and the whole thing shot on a 16mm film camera with half an eye on the picturesque. Here we start with two young women on beach. One of them appears to be rolling around in the waves on what looks like a cold day. Are they playing or have they just washed ashore? The … Read more
Mickey One
Old Hollywood meets new in Mickey One, a neglected thriller from 1965 directed by Arthur Penn and starring Warren Beatty, both of whom would upend the cosy certainties of a sclerotic industry with Bonnie and Clyde two years later. They run through a few of the possibilities here. The film focuses almost entirely on Beatty, as a club comedian and light-entertainment guy who goes on the run from the Mob after getting on the wrong side of them over money, a woman, and possibly a few other things. Mickey One is what the fugitive ends up being called after assuming the identity of a turned-over vagrant, “One” being as near as most people … Read more
Herself
Phyllida Lloyd is most often described as the director of Mama Mia! but there’s a lot more to her than that. Take Herself, the latest in a line of strongly female-centred productions, including the Mrs Thatcher biopic The Iron Lady and the all-female Shakespeare productions of Julius Caesar, Henry IV and The Tempest at the Donmar Theatre in London, which drew raves from the critics, wild applause from audiences and loud harrumphs from the gammons. The Shakespeares all gave top billing to Harriet Walter, and meaty roles to Clare Dunne. Here, Dunne is thrust into the lead (well, she did co-write) and Walter is a gracious supporting star in a story about one … Read more
Late Spring
Late Spring is the title and late spring is the condition of its central character, a woman who, at the advanced age of 27, is almost too old for marriage – she’s in the late spring of her adult life. It’s 1949 and in Japan the American occupiers are running the show after the end of the Second World War. 27-year-old Noriko is the smiling, gracious, pretty and dutiful daughter of kindly widower Shukichi (Chishû Ryû). As far as he’s concerned she’s perfect in every way except one – she really doesn’t want to marry. When Noriko meets one of her father’s old colleagues, a man who has recently remarried, she tells him that … Read more
The Avengers: Series 3, Episode 4 – The Nutshell
Roughly five months after it was made in May 1963, on 19 October, the day that the 14th Earl of Home – who had not been elected to any office at all – was announced as the new prime minister of the country, the United Kingdom sat down to watch The Nutshell, the fourth episode out of the traps in the third series of The Avengers. It’s doubtful that the aristocratic PM with the stiffest of upper lips was much interested in the doings of a bowler-hatted spy, even though both were Eton-educated and probably had the same Savile Row tailor. But if Sir Alec (as he later became, when in tail-wagging-dog style he’d been … Read more
