Popular Reviews
The Avengers: Series 6, Episode 22 – Stay Tuned
Mind control as a plot driver became The Avengers go-to narrative, and it gets another run around the block in Stay Tuned, a fine example of the show’s ongoing attempts to recapture old glory. It takes flight quickly – Steed with a ridiculous amount of baggage heading off on holiday. And then Steed again some time later, also with a ridiculous amount of baggage setting off from his apartment to go on holiday for a second time, only to be met by a bemused Tara, who tells him he’s been away for the past three weeks, and she’s got a postcard to prove it. We know something is going on because a) that’s … Read more
Love and Basketball
The sports movie meets the romance in a boy-meets-girl drama featuring two affluent black kids. Omar Epps and Sanaa Lathan play the basketball-playing next-door neighbours as grown-ups, the film having followed them from before puberty, through it and out into the world of professional sport and beyond. On the romance side it’s a “will-they-won’t-they” plot, in the sports arena it’s unusually focused on the daily decision-making and strategising of operating as a sports professional, where a career could be measured in months. On both sides it packs in most of the positive role models a body could need, carefully avoiding stereotyping (except that he’s hung), because that’s a bad thing. This film works … Read more
Three Thousand Years of Longing
The bomb of 2022 is what industry somebodies are calling Three Thousand Years of Longing. True, it didn’t do very good box office. It did terrible box office in fact. But streaming will probably claw back some of the deficit, where it’ll almost certainly be watched several times by quite a number of people. It’s that sort of film. It’s a compendium affair, always a tough sell, with no explicit throughline, the story of a narratologist (a person who studies stories to reveal truths about humanity) who finds a bottle in a bazaar while at an academic conference in Istanbul and discovers that it contains a genie, or djinn as they now tend … Read more
The Avengers: Series 6, Episode 24 – Fog
London was still notorious for its fog in 1969 when The Avengers episode Fog aired, even though the Clean Air Acts of 1956 and 1968 had largely consigned all-enveloping, life-shortening meteorological damp blankets to history. No matter, fog is what’s called for and so fog is what we get, a thick pea-souper so dense that it seems to have transported the world back to the late Victorian era – an organ grinder, a blind man tap-tap-tapping his way through the street and a knife sharpener all turn up in the opening moments of an episode that’s actually about members of a disarmament delegation arriving in London, only to start turning up dead, one by … Read more
Mogul Mowgli
Mogul Mowgli jumps into debates about authenticity and cultural appropriation – often conducted by people with no skin in the game on behalf of people who do – and does a decent job of trying to make itself heard above the din of the culture war. It does it by focusing on the particular rather than the general in a story about a rapper who gets sick and ends up in hospital, where, stripped of what he thinks of as his identity, he starts to wonder who he is. His family, meanwhile, gather about and try (in authenticity/appropriation style) to impose their idea of who he is on him. Riz Ahmed plays rapper … Read more
Candy
Though there’s plenty of people who take drugs for entirely recreational purposes and never go to hell in any sort of handcart, there’s not much drama to be had from making movies about them. So instead drugs movies tend to be about people hitting the buffers. Candy does at least do it with a roster of good Australian actors, who are required to pull out most of the thespian organ stops as they make the familiar journey – from “we’re just fooling around” to “oops, someone’s dead”, calling in between at all the usual stations on the degradation line. And luckily for us, it’s Heath Ledger and Abbie Cornish who brighten up the journey on … Read more
Casque d’Or
Jacques Becker’s Casque d’Or perfectly illustrates why old-school Becker was held in such high regard by the tyros of France’s New Wave, who generally dismissed all French moviemakers before themselves as “vile” and “grotesque”. Becker was one of a very select band (including Jean Renoir and Jacques Tati) who escaped unscathed and with reputations intact, if not enhanced. Made in 1952, the antediluvian era if you were Truffaut or Godard, Becker’s story concerns itself with Marie (Simone Signoret), a whore with a heart of gold, who winds up caught between two men – ex-con carpenter Georges Manda (Serge Reggiani) and local crime boss Félix Leca (Claude Dauphin), a threeway that will eventually end … Read more
The Last Duel
Talk about burying the lead. The Last Duel submerges its true story – the rape of a woman in 14th-century France – inside a story about the man who did it and her husband, his friend. We get the duel, the joust, up front, so we know from the outset where this adaptation of a true story is going, and then director Ridley Scott and writers Matt Damon and Ben Affleck (their first collaboration since Good Will Hunting) and Nicole Holofcener (presumably brought in to de-problematise the very problematical screenplay) wheel us back in time to what brought us to this point. We’re introduced to all the parties involved – Sir Jean Carrouges (Matt … Read more
Wolfwalkers
Kings of Irish animation Cartoon Saloon bring their Irish Folklore Trilogy to a close with Wolfwalkers, a rousing big finish after The Secret of Kells (2009) and Song of the Sea (2014). It’s closer in spirit to Song of the Sea, which was about a shapeshifting sea creature known as a selkie, than Kells, which was set in an Irish monastery where enthusiasm, bizarrely, was shown to trump actual craft and learning when it came to illuminating ancient manuscripts. This time, co-writer/director duo Tomm Moore and Ross Stewart have repurposed an old legend about “wolf men” from Kilkenny, where their studio is based, to tell the story of human beings who release their … Read more
Ares
There’s a Marvel character called Ares, and a DC one, strangely enough. A Greek god also goes by the same name, as does the hero of Ares (Arès, originally), a dystopian French actioner mainly remarkable for how unremarkable it is. Reda Arèsilla (Ola Rapace), to give him his full name, lives in Paris in 2035, in a country that’s being propped up by payments from the Chinese. Millions are unemployed, neoliberalism has been taken to its conclusion and the “fuck you” dynamics of a devil-take-the-hindmost logic are triumphant. Ares, as he’s known, is one of the lucky ones. He fights for a living, in a culture that prizes its fighters. The bouts are TV … Read more
Birth/Rebirth
James Whale would probably approve of Birth/Rebirth, a new take on the Frankenstein story which, like Whale’s 1931 movie, is creepy, dark and yet shot through with a touching humanity. Until it isn’t. It’s a female take, with the focus largely on women, plus a female director, who also co-wrote, and the cinematographer, composer, editors, production designers and so on are mostly women too. Plus two stars in Marin Ireland and Judy Reyes who play either side of a familiar stereotype. On one side the monstrous feminine of Rose Casper (Ireland), an emotionless pathologist in a hospital morgue who is secretly collecting genetic material to further experiments into the reanimation of dead people. … Read more
The Manchurian Candidate
Thrillers generally work backwards, towards who done it or why. The Manchurian Candidate doesn’t do it that way at all. We know that something’s wrong from the opening scenes of John Frankenheimer’s superbly chilly Cold War thriller, but we’ve no idea where everything is headed. And Frankenheimer keeps it that way until the film’s dying (literally) moments. The Day of the Jackal borrowed quite a bit of The Manchurian Candidate’s cold deliberate approach, but we always knew that the hitman in that movie was aiming to assassinate French president Charles de Gaulle. Here we know next to nothing, though early scenes make clear that a platoon of US soldiers in Korea has been … Read more
