Popular Reviews
The Avengers: Series 3, Episode 20 – Trojan Horse
At one point almost every episode of The Avengers started with a death before the opening credits. Trojan Horse plays with that idea, showing us a punter who won’t pay his betting debts being killed by some heavies. After his killers have left the scene, the dead man gets up and walks away. It’s a ruse, a scam initiated by master bookmaker Tony Heuston (TP McKenna) who wants rich toff Lucien ffordsham (Geoffrey Whitehead) to believe he’s implicated in a murder, and to use that leverage against him. Steed and Gale are in the neighbourhood because they’re protecting Sebastian, a valuable racehorse belonging to a Middle Eastern potentate, who is in the UK … Read more
Peppermint Candy
What makes a person commit suicide – is it bad genes, bad luck or a bad attitude? Peppermint Candy doesn’t answer the question but it has a good hard look at it. One man, an extreme case when we meet him, angry, disoriented, drugged-up maybe, crashing a 20-year school reunion in the town where he grew up. The other members of the group try to calm him down but this one’s not for placating and, after disruping the party with his aggressive manner, Kim Yong-ho has soon climbed onto the elevated railway line nearby. And soon after that he’s dead, having disappeared under the front of an oncoming locomotive while screaming “I’m going … Read more
The Father
There’s a very watchable YouTube video in which, playing the publicity game, Anthony Hopkins and Jodie Foster discuss his most recent film, The Father, hers, The Mauritanian, and in between share a few memories of The Silence of the Lambs, among other things. During the half hour Zoom call Foster asks Hopkins, in so many words, about his “process”, how he approached his character in The Father, what preparation he did. “None… really,” says Hopkins, blowing what’s left of Method acting out of the water with a couple of words. They’re even more impressive once you’ve seen the film, which is not an easy watch, be warned, unless you’re the sort who cheers … Read more
Brian Wilson: Long Promised Road
There are two different versions of the same guy on view in Brian Wilson: Long Promised Road, a documentary about the famous Beach Boy that tries to connect the two. And does so, unsurprisingly though nevertheless touchingly, through music. Version 1 is the Wilson of many an old YouTube clip, the maverick genius who turned the recording studio itself into a musical instrument in the mid-1960s and helped give the music of the era its claims to greatness. This Wilson is young, lively, amusing, driven and voluble, clearly the master of his realm, the writer, arranger, producer and musical director of the band he also performed with and a man who could command … Read more
The Avengers: Series 5, Episode 10 – Never, Never Say Die
Christopher Lee! Christopher Lee of Dracula fame, intelligence operations during the Second World War, later a Bond villain, Saruman of Lord of the Rings and a heavy metal artist in his 90s, yes, that’s the man, lumbering about like Frankenstein’s monster (another role) the first time we see him, and shot from below, again Frankenstein-style, by director Robert Day as this episode of The Avengers kicks off with a car accident which renders the guest star dead. Surely not? Surely so. But this episode isn’t called Never, Never Say Die for no reason, and no sooner has he been pronounced dead by a doctor at the hospital than he rises again, to the … Read more
The Avengers: Series 4, Episode 13 – Too Many Christmas Trees
Time magazine’s Swinging London issue appeared in April 1966 and made “official” what had been obvious for some time – something was going on in the UK capital. To find out what that looked like at the time, you could do worse than examine Too Many Christmas Trees, the Christmas Day episode of The Avengers from 1965, a very swinging, very British mix of the modern and the antique. Very mind-control-oriented too, the whole thing kicking off with a kitsch dream sequence – Steed in silk pyjamas and bowler hat wandering through a land of fake snow and cutout Christmas trees towards a wrapped Christmas gift with his name on it. A hideous … Read more
Ikiru
Akira Kurosawa’s Ikiru is now old enough – it was released in 1952 – for people to be able to consider it rationally. Almost from the moment it hit the screens it was treated as Kurosawa’s “triumph”, one of the best films ever made, regularly turning up on Sight and Sound magazine’s influential once-a-decade poll of the best movies ever made. Recently, though, it’s slipped a bit. In 1962 it was number 20 on S&S‘s list. By 2012 it’s “only” at number 136, well behind Kurosawa’s Seven Samurai (17) and Rashomon (24). A 2016 article in the UK’s Daily Telegraph listing its top 10 most overrated films of all time placed Ikiru at … Read more
Last Woman on Earth
Chinatown is what the writer Robert Towne will be remembered for, rather than Last Woman on Earth, a cheap and short B movie cranked out by one-man movie-making machine Roger Corman in 1960. But it’s worth a look, not just because it was Towne’s first screenplay but also because he acts in it, under the alias Edward Wain. The screenplay is credited to Towne, though, which says a lot about where his priorities lie. Corman and Towne open the action at a cock fight in Puerto Rico, where rich but dodgy businessman Harold Gern and bored trophy wife Evelyn meet Harold’s accountant, Martin Joyce (Towne). While the men chat, Corman’s camera lingers on … Read more
Let Them All Talk
Meryl Streep, Candice Bergman and Dianne Wiest star in Let Them All Talk and even before it’s started the names alone seem to suggest two possible outcomes. It’s either going to be an American version of one of those British Dame Dramas, in which various theatrical Maggies or Judis are arranged fragrantly and tastefully, with the odd “fuck” thrown in to show the noble ladies are still down to earth. Or it’s going to be a female version of one of those Four Old Dudes Go to Vegas comedies, in which the once hip gracefully accept they’re now in the hip-replacement demographic, with the odd “fuck” thrown, possibly of the physical sort, just … Read more
The Twentieth Century
Where to begin with The Twentieth Century, a mad bit of nonsense that’s initially exasperating but eventually works so hard at what it’s doing that your resistance might start to crumble. We’re in the realm of the camp pastiche right from the opening colorized 1930s-style credits. Those dispensed with, the movies settles down to tell the story of WL Mackenzie King, Canada’s most celebrated prime minister – three terms of office from the early 1920s to late 1940s. Forget those details lifted from WLMK’s Wikipedia page. They’re only confusing. If there’s any basis of fact at all in writer/director Matthew Rankin’s film, it’s been so decorated with chintz, frills and flounces that it’s … Read more
The Deadly Affair
1966’s The Deadly Affair repeats the formula of The Spy Who Came In from the Cold – John Le Carré story, top British and European cast, London locations, great US director, ace British cinematographer, soundtrack by a big name – and if it isn’t quite up there with the 1965 film, it’s still one of the very best Le Carré adaptations. It takes Le Carré’s first novel, A Call for the Dead, slaps a less sombre, more bums-on-seats title on it and also renames Le Carré’s masterspy George Smiley, as Charles Dobbs (Paramount, who had made The Spy Who Came In from the Cold, “owned” the Smiley name). Though in all important respects this is … Read more
Warrior King
Thai martial arts phenomenon Tony Jaa continues his advance into the West with this lively actioner from Prachya Pinkaew, director of the breakthrough Ong-Bak. Originally titled Tom Yung Goong, and also known as The Protector, it’s a two-parter starting off in Thailand, where the atmospherics include shots of young Khan (Jaa) going to school on the back of an elephant and the politics include remarks which westerners might find mildly perplexing (no, we’re not loved the world over), much as you got in Ong-Bak. As for action, the kicking starts about 20 minutes in plus there’s a sequence reminiscent of the speedboat chase in Live and Let Die (ie preposterous yet thrilling). The … Read more
