jason schwartzman

Asteroid City

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Scarlett Johansson in red top and matching lipstick

Welcome to Asteroid City, Wes Anderson’s companion piece to The French Despatch, another film appearing to take its inspiration from yellowing adverts in ancient back issues of Life magazine to depict a world where corporate capture by Hollywood, the military-industrial complex and Madison Avenue is rendered in Anderson’s ironic deadpan – the writing, the acting, the visuals, the soundtrack all point in the same direction. The action centres on a 1950s desert waystation where a motley group of people get trapped together after a recent atom bomb test, and then get locked down (spot the pandemic) after an alien arrives and steals the asteroid that gives the area its name. Anderson’s usual collection … Read more

Klaus

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Jesper and Klaus

When is the best time to watch Klaus, an animated film aimed at the 2019 Christmas market? In February 2021, obviously. Though why not? Here in London there’s snow on the ground and the coronavirus is keeping a lot of people indoors still. Just add a piece of dense fruit cake and a glass of decent whisky and absolutely why not? It’s the story of how Santa Claus became Santa Claus, or Father Christmas if you like, since the two characters are now almost one. Not the Santa story as we already know it. Actually, come to think of it, do we already know it? Whether we think we do or we’re sure … Read more

Marie Antoinette

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Kirsten Dunst as Marie Antoinette

It’s tempting to look at writer/director Sofia Coppola’s biopic about Marie Antoinette as a coded self-portrait – young woman born into immense privilege, continuing in the family business, expected to have an understanding of the hoi polloi though with no experience thereof, allowed to indulge her whims, and so on. Perhaps it’s a better film seen that way, because as a straightforward biopic it’s full of problems, chief of those being the inertia at the centre, where Kirsten Dunst’s Marie – the Austrian princess bought in by the French to produce an heir – and her spouse the Dauphin (Jason Schwartzman) sit like a pair of bland puddings while around them wheel a menagerie of exotic … Read more

Rushmore

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Jason Schwartzman in Rushmore

Hollywood in look but in tone something else, this is the odd tale of an intellectually precocious, loquacious, speccy, blazer-wearing 15-year-old (Jason Schwartzman) who falls for one of his teachers, pretty Olivia Williams (think of a non-irritating Liz Hurley with a couple of decent dinners inside her). Unfortunately, misanthropic  local steel baron Bill Murray (back on Groundhog Day form) is equally smitten. Faint heart never won fair lady and the oddly mismatched and yet similarly obsessive love rivals are soon at it hammer and tongues. Very weird and often touching romantic comedy ensues as these two strange characters are dissected, helped along by acting that’s all played straight, no one raises even so … Read more