Review: Breakfast at Tiffany’s

Audrey Hepburn in Breakfast at Tiffany's
Audrey Hepburn in Breakfast at Tiffany's

 

A movie for every day of the year – a good one

 

 

18 September

 

 

Tiffany and Co founded, 1837

 

On this day in 1837, Charles Lewis Tiffany and his partner Teddy Young opened a fancy goods and stationery shop in Lower Manhattan. Tiffany, Young and Lewis changed its name to Tiffany & Co when Charles Tiffany took sole control in 1853. At the same time he shifted its emphasis to jewellery. Growing fat on the revenue from its mail order operation, Tiffany also started to get a name as a provider of quality items – silverware, surgical instruments and swords. By the 1880s it had become closely associated with diamonds after buying the French crown jewels (no longer required in France since the country no longer had a monarch). Through the 20th century, Tiffany’s became a byword for opulence – Marilyn Monroe sings its name in Diamonds Are a Girl’s Best Friend in the 1953 movie Gentlemen Prefer Blondes; James Bond’s love interest in the 1956 Ian Fleming novel Diamonds Are Forever is named Tiffany Case. So when Truman Capote wrote a novella in 1958 about a New York socialite called Holly Golightly who wanted the best of everything, the name Breakfast at Tiffany’s seemed entirely appropriate.

 

Breakfast at Tiffany’s (1961, dir: Blake Edwards)

The film that made Audrey Hepburn in her little black dress, string of pearls and cigarette holder, an enduring icon, is actually a story about a woman not a million miles away in modus operandi from Truman Capote’s mother. Not a prostitute, exactly, more a good time girl from a good family who is using her extended sojourn in New York as a way of catching a rich husband. An “American geisha” as Capote put it in a 1968 Playboy interview. Not that there’s any hint of impropriety in Hepburn’s performance. Nor does George Peppard exhibit any of the characteristics that seemed to mark him out as a gay gigolo in Capote’s original story. In fact Peppard’s character has been so rinsed through that he has become pretty dull. But Breakfast at Tiffany’s, like a lot of Blake Edwards films of the 1960s, is at least as much an exercise in style as it is in plot – which is presumably why when it debuted critics almost unanimously didn’t dwell on the selling oneself for cash, child sex (Holly’s husband reveals she was 13 when they married), drugs, unwanted pregnancy and relentless deception. Nowadays we’d add appalling racial stereotyping (Mickey Rooney’s bucktoothed Japanese) and smoking (that cigarette holder) to its list of crimes. Though no one then or now really seems too concerned by any of those things, possibly because the entire film takes place in a milieu that’s a collision between Hollywood make-believe and Hepburn high style.

 

 

 

Why Watch?

 

  • Catch a glimpse of Mel Blanc – the voice of Bugs Bunny
  • The film that set Hepburn’s screen persona in stone
  • The iconic “little black dress” movie
  • The Henry Mancini/Johnny Mercer song Moon River, written specifically for Hepburn

 

© Steve Morrissey 2013

 

 

Breakfast at Tiffany’s – at Amazon

 

 

 

 

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  • Breakfast at Tiffany's (1961) Comedy, Drama, Romance | 1h 55min | 6 October 1961 (USA) 7.6
    Director: Blake EdwardsWriters: Truman Capote, George AxelrodStars: Audrey Hepburn, George Peppard, Patricia NealSummary: After one of her frequent visits to Tiffany's--New York City's dazzling jewellery store--and the maximum security Sing-Sing prison for mobster Sally Tomato's weekly "weather report", Holly Golightly, Manhattan's elegant socialite, finds herself infatuated with her charming new neighbour, Paul Varjak. Stuck in a persistent creative rut, Paul, too, lets himself drawn into Holly's superficial world, of course, not because he likes the idea that he reminds her of her brother, but because, little by little, he succumbs to Holly's beguiling allure. Even though they don't openly admit it, the two reluctant lovers have a past that they struggle to keep at bay; nevertheless, are their well-hidden secrets powerful enough to keep them apart? After all, Paul and Holly are meant for each other. Will an early-morning breakfast at Tiffany's be the prelude to a breezy young love? Written by Nick Riganas

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